Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
The voice of things
Forty Augusts--aye, and several more--ago,
When I paced the headlands loosed from dull employ,
The waves huzza'd like a multitude below
In the sway of an all-including joy
Without cloy.
Blankly I walked there a double decade after,
When thwarts had flung their toils in front of me,
And I heard the waters wagging in a long ironic laughter
At the lot of men, and all the vapoury
Things that be.
Wheeling change has set me again standing where
Once I heard the waves huzza at Lammas-tide;
But they supplicate now--like a congregation there
Who murmur the Confession--I outside,
Prayer denied?
The Difference
I
Sinking down by the gate I discern the thin moon,
And a blackbird tries over old airs in the pine,
But the moon is a sorry one, sad the bird's tune,
For this spot is unknown to that Heartmate of mine.
II
Did my Heartmate but haunt here at times such as now,
The song would be joyous and cheerful the moon;
But she will see never this gate, path, or bough,
Nor I find a joy in the scene or the tune.
The Roman Road
The Roman Road runs straight and bare
As the pale parting-line in hair
Across the heath. And thoughtful men
Contrast its days of Now and Then,
And delve, and measure, and compare;
Visioning on the vacant air
Helmed legionaries, who proudly rear
The Eagle, as they pace again
The Roman Road.
But no tall brass-helmed legionnaire
Haunts it for me. Uprises there
A mother's form upon my ken,
Guiding my infant steps, as when
We walked that ancient thoroughfare,
The Roman Road.
Faintheart in a railway train
At nine in the morning there passed a church,
At ten there passed me by the sea,
At twelve a town of smoke and smirch,
At two a forest of oak and birch,
And then, on a platform, she:
A radiant stranger, who saw not me.
I queried, "Get out to her do I dare?"
But I kept my seat in my search for a plea,
And the wheels moved on. O could it but be
That I had alighted there!
The Comet at Yalbury or Yell'ham
Her Confession
As some bland soul, to whom a debtor says
"I'll now repay the amount I owe to you,"
In inward gladness feigns forgetfulness
That such a payment ever was his due
(His long thought notwithstanding), so did I
At our last meeting waive your proffered kiss
With quick divergent talk of scenery nigh,
By such suspension to enhance my bliss.
And as his looks in consternation fall
When, gathering that the debt is lightly deemed,
The debtor makes as not to pay at all,
So faltered I, when your intention seemed
Converted by my false uneagerness
To putting off for ever the caress.
W. P. V., 1865-67.
A night in November
I marked when the weather changed,
And the panes began to quake,
And the winds rose up and ranged,
That night, lying half-awake.
Dead leaves blew into my room,
And alighted upon my bed,
And a tree declared to the gloom
Its sorrow that they were shed.
One leaf of them touched my hand,
And I thought that it was you
There stood as you used to stand,
And saying at last you knew!
(?) 1913.
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