Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
At a Lunar Eclipse
Thy shadow, Earth, from Pole to Central Sea,
Now steals along upon the Moon's meek shine
In even monochrome and curving line
Of imperturbable serenity.
How shall I link such sun-cast symmetry
With the torn troubled form I know as thine,
That profile, placid as a brow divine,
With continents of moil and misery?
And can immense Mortality but throw
So small a shade, and Heaven's high human scheme
Be hemmed within the coasts yon arc implies?
Is such the stellar gauge of earthly show,
Nation at war with nation, brains that teem,
Heroes, and women fairer than the skies?
As 'twere to-night (Song)
As 'twere to-night, in the brief space
Of a far eventime,
My spirit rang achime
At vision of a girl of grace;
As 'twere to-night, in the brief space
Of a far eventime.
As 'twere at noontide of to-morrow
I airily walked and talked,
And wondered as I walked
What it could mean, this soar from sorrow;
As 'twere at noontide of to-morrow
I airily walked and talked.
As 'twere at waning of this week
Broke a new life on me;
Trancings of bliss to be
In some dim dear land soon to seek;
As 'twere at waning of this week
Broke a new life on me!
It never looks like Summer
The Difference
I
Sinking down by the gate I discern the thin moon,
And a blackbird tries over old airs in the pine,
But the moon is a sorry one, sad the bird's tune,
For this spot is unknown to that Heartmate of mine.
II
Did my Heartmate but haunt here at times such as now,
The song would be joyous and cheerful the moon;
But she will see never this gate, path, or bough,
Nor I find a joy in the scene or the tune.
A confession to a friend in trouble
Your troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles--with listlessness -
Yet smiles they are, not ghastly mockeries mere.
A thought too strange to house within my brain
Haunting its outer precincts I discern:
- That I will not show zeal again to learn
Your griefs, and sharing them, renew my pain . . .
It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!
1866.
The Dear
I plodded to Fairmile Hill-top, where
A maiden one fain would guard
From every hazard and every care
Advanced on the roadside sward.
I wondered how succeeding suns
Would shape her wayfarings,
And wished some Power might take such ones
Under Its warding wings.
The busy breeze came up the hill
And smartened her cheek to red,
And frizzled her hair to a haze. With a will
"Good-morning, my Dear!" I said.
She glanced from me to the far-off gray,
And, with proud severity,
"Good-morning to you--though I may say
I am not YOUR Dear," quoth she:
"For I am the Dear of one not here -
One far from his native land!" -
And she passed me by; and I did not try
To make her understand.
1901
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