Thomas Hardy

Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.

Lament

[Image: ‘A Passing Storm’ by James Tissot]

How she would have loved
A party to-day! -
Bright-hatted and gloved,
With table and tray
And chairs on the lawn
Her smiles would have shone
With welcomings . . . But
She is shut, she is shut
From friendship's spell
In the jailing shell
Of her tiny cell.

Or she would have reigned
At a dinner to-night
With ardours unfeigned,
And a generous delight;
All in her abode
She'd have freely bestowed
On her guests . . . But alas,
She is shut under grass
Where no cups flow,
Powerless to know
That it might be so.

And she would have sought
With a child's eager glance
The shy snowdrops brought
By the new year's advance,
And peered in the rime
Of Candlemas-time
For crocuses . . . chanced
It that she were not tranced
From sights she loved best;
Wholly possessed
By an infinite rest!

And we are here staying
Amid these stale things
Who care not for gaying,
And those junketings
That used so to joy her,
And never to cloy her
As us they cloy! . . . But
She is shut, she is shut
From the cheer of them, dead
To all done and said
In a yew-arched bed.

The Reminder

While I watch the Christmas blaze
Paint the room with ruddy rays,
Something makes my vision glide
To the frosty scene outside.

There, to reach a rotting berry,
Toils a thrush,--constrained to very
Dregs of food by sharp distress,
Taking such with thankfulness.

Why, O starving bird, when I
One day's joy would justify,
And put misery out of view,
Do you make me notice you!

The Workbox (II)

"But why do you look so white, my dear,
And turn aside your face?
You knew not that good lad, I fear,
Though he came from your native place?"

"How could I know that good young man,
Though he came from my native town,
When he must have left there earlier than
I was a woman grown?"

"Ah no. I should have understood!
It shocked you that I gave
To you one end of a piece of wood
Whose other is in a grave?"

"Don't, dear, despise my intellect,
Mere accidental things
Of that sort never have effect
On my imaginings."

Yet still her lips were limp and wan,
Her face still held aside,
As if she had known not only John,
But known of what he died.

The Workbox (I)

"See, here's the workbox, little wife,
That I made of polished oak."
He was a joiner, of village life;
She came of borough folk.

He holds the present up to her
As with a smile she nears
And answers to the profferer,
"'Twill last all my sewing years!"

"I warrant it will. And longer too.
'Tis a scantling that I got
Off poor John Wayward's coffin, who
Died of they knew not what.

"The shingled pattern that seems to cease
Against your box's rim
Continues right on in the piece
That's underground with him.

"And while I worked it made me think
Of timber's varied doom;
One inch where people eat and drink,
The next inch in a tomb.

(tbc)

The Sun's last look on the Country Girl

The sun threw down a radiant spot
On the face in the winding-sheet -
The face it had lit when a babe's in its cot;
And the sun knew not, and the face knew not
That soon they would no more meet.

Now that the grave has shut its door,
And lets not in one ray,
Do they wonder that they meet no more -
That face and its beaming visitor -
That met so many a day?

December 1915.

The Man who Forgot

At a lonely cross where bye-roads met
I sat upon a gate;
I saw the sun decline and set,
And still was fain to wait.

A trotting boy passed up the way
And roused me from my thought;
I called to him, and showed where lay
A spot I shyly sought.

"A summer-house fair stands hidden where
You see the moonlight thrown;
Go, tell me if within it there
A lady sits alone."

He half demurred, but took the track,
And silence held the scene;
I saw his figure rambling back;
I asked him if he had been.

"I went just where you said, but found
No summer-house was there:
Beyond the slope 'tis all bare ground;
Nothing stands anywhere.

"A man asked what my brains were worth;
The house, he said, grew rotten,
And was pulled down before my birth,
And is almost forgotten!"

My right mind woke, and I stood dumb;
Forty years' frost and flower
Had fleeted since I'd used to come
To meet her in that bower.

On The Way

The trees fret fitfully and twist,
Shutters rattle and carpets heave,
Slime is the dust of yestereve,
And in the streaming mist
Fishes might seem to fin a passage if they list.

But to his feet,
Drawing nigh and nigher
A hidden seat,
The fog is sweet
And the wind a lyre.

A vacant sameness grays the sky,
A moisture gathers on each knop
Of the bramble, rounding to a drop,
That greets the goer-by
With the cold listless lustre of a dead man's eye.

But to her sight,
Drawing nigh and nigher
Its deep delight,
The fog is bright
And the wind a lyre.

In Her Precincts

Her house looked cold from the foggy lea,
And the square of each window a dull black blur
Where showed no stir:
Yes, her gloom within at the lack of me
Seemed matching mine at the lack of her.

The black squares grew to be squares of light
As the eyeshade swathed the house and lawn,
And viols gave tone;
There was glee within. And I found that night
The gloom of severance mine alone.

A Wife Waits

Will's at the dance in the Club-room below,
Where the tall liquor-cups foam;
I on the pavement up here by the Bow,
Wait, wait, to steady him home.

Will and his partner are treading a tune,
Loving companions they be;
Willy, before we were married in June,
Said he loved no one but me;

Said he would let his old pleasures all go
Ever to live with his Dear.
Will's at the dance in the Club-room below,
Shivering I wait for him here.

NOTE: "The Bow" (line 3). The old name for the curved corner by the cross-
streets in the middle of Casterbridge.

On an invitation to the United States

I
My ardours for emprize nigh lost
Since Life has bared its bones to me,
I shrink to seek a modern coast
Whose riper times have yet to be;
Where the new regions claim them free
From that long drip of human tears
Which peoples old in tragedy
Have left upon the centuried years.

II
For, wonning in these ancient lands,
Enchased and lettered as a tomb,
And scored with prints of perished hands,
And chronicled with dates of doom,
Though my own Being bear no bloom
I trace the lives such scenes enshrine,
Give past exemplars present room,
And their experience count as mine.

To a lady playing and singing in the Morning

Joyful lady, sing!
And I will lurk here listening,
Though nought be done, and nought begun,
And work-hours swift are scurrying.

Sing, O lady, still!
Aye, I will wait each note you trill,
Though duties due that press to do
This whole day long I unfulfil.

"--It is an evening tune;
One not designed to waste the noon,"
You say. I know: time bids me go--
For daytide passes too, too soon!

But let indulgence be,
This once, to my rash ecstasy:
When sounds nowhere that carolled air
My idled morn may comfort me!

A Spot

[The Last of England, Ford Madox Brown (1852)]

In years defaced and lost,
Two sat here, transport-tossed,
Lit by a living love
The wilted world knew nothing of:
Scared momently
By gaingivings,
Then hoping things
That could not be.

Of love and us no trace
Abides upon the place;
The sun and shadows wheel,
Season and season sereward steal;
Foul days and fair
Here, too, prevail,
And gust and gale
As everywhere.

But lonely shepherd souls
Who bask amid these knolls
May catch a faery sound
On sleepy noontides from the ground:
"O not again
Till Earth outwears
Shall love like theirs
Suffuse this glen!"

The Collector Cleans his Picture

Fili hominis, ecce ego tollo a te desiderabile oculorum tuorom in
plaga.--EZECH. xxiv. 16.

How I remember cleaning that strange picture!
I had been deep in duty for my sick neighbour -
His besides my own--over several Sundays,
Often, too, in the week; so with parish pressures,
Baptisms, burials, doctorings, conjugal counsel -
All the whatnots asked of a rural parson -
Faith, I was well-nigh broken, should have been fully
Saving for one small secret relaxation,
One that in mounting manhood had grown my hobby.

This was to delve at whiles for easel-lumber,
Stowed in the backmost slums of a soon-reached city,
Merely on chance to uncloak some worthy canvas,
Panel, or plaque, blacked blind by uncouth adventure,
Yet under all concealing a precious art-feat.
Such I had found not yet. My latest capture
Came from the rooms of a trader in ancient house-gear
Who had no scent of beauty or soul for brushcraft.
Only a tittle cost it--murked with grime-films,
Gatherings of slow years, thick-varnished over,
Never a feature manifest of man's painting.

So, one Saturday, time ticking hard on midnight
Ere an hour subserved, I set me upon it.
Long with coiled-up sleeves I cleaned and yet cleaned,
Till a first fresh spot, a high light, looked forth,
Then another, like fair flesh, and another;
Then a curve, a nostril, and next a finger,
Tapering, shapely, significantly pointing slantwise.
"Flemish?" I said. "Nay, Spanish . . . But, nay, Italian!"
- Then meseemed it the guise of the ranker Venus,
Named of some Astarte, of some Cotytto.
Down I knelt before it and kissed the panel,
Drunk with the lure of love's inhibited dreamings.

Till the dawn I rubbed, when there gazed up at me
A hag, that had slowly emerged from under my hands there,
Pointing the slanted finger towards a bosom
Eaten away of a rot from the lusts of a lifetime . . .
- I could have ended myself in heart-shook horror.
Stunned I sat till roused by a clear-voiced bell-chime,
Fresh and sweet as the dew-fleece under my luthern.
It was the matin service calling to me
From the adjacent steeple.

The Wood Fire

(A FRAGMENT)

"This is a brightsome blaze you've lit good friend, to-night!"
"--Aye, it has been the bleakest spring I have felt for years,
And nought compares with cloven logs to keep alight:
I buy them bargain-cheap of the executioners,
As I dwell near; and they wanted the crosses out of sight
By Passover, not to affront the eyes of visitors.

"Yes, they're from the crucifixions last week-ending
At Kranion. We can sometimes use the poles again,
But they get split by the nails, and 'tis quicker work than mending
To knock together new; though the uprights now and then
Serve twice when they're let stand. But if a feast's impending,
As lately, you've to tidy up for the corners' ken.

"Though only three were impaled, you may know it didn't pass off
So quietly as was wont? That Galilee carpenter's son
Who boasted he was king, incensed the rabble to scoff:
I heard the noise from my garden. This piece is the one he was on…
Yes, it blazes up well if lit with a few dry chips and shroff;
And it's worthless for much else, what with cuts and stains thereon."

The Dear

I plodded to Fairmile Hill-top, where
A maiden one fain would guard
From every hazard and every care
Advanced on the roadside sward.

I wondered how succeeding suns
Would shape her wayfarings,
And wished some Power might take such ones
Under Its warding wings.

The busy breeze came up the hill
And smartened her cheek to red,
And frizzled her hair to a haze. With a will
"Good-morning, my Dear!" I said.

She glanced from me to the far-off gray,
And, with proud severity,
"Good-morning to you--though I may say
I am not YOUR Dear," quoth she:

"For I am the Dear of one not here -
One far from his native land!" -
And she passed me by; and I did not try
To make her understand.

1901

The Fire at Tranter Sweatley's

(III of III)

There was one thing to do, and that one thing he did,
He lent her some clouts of his own,
And she took 'em perforce; and while in 'em she slid,
Tim turned to the winder, as modesty bid,
Thinking, "O that the picter my duty keeps hid
To the sight o' my eyes mid be shown!"

In the tallet he stowed her; there huddied she lay,
Shortening sleeves, legs, and tails to her limbs;
But most o' the time in a mortal bad way,
Well knowing that there'd be the divel to pay
If 'twere found that, instead o' the elements' prey,
She was living in lodgings at Tim's.

"Where's the tranter?" said men and boys; "where can er be?"
"Where's the tranter?" said Barbree alone.
"Where on e'th is the tranter?" said everybod-y:
They sifted the dust of his perished roof-tree,
And all they could find was a bone.

Then the uncle cried, "Lord, pray have mercy on me!"
And in terror began to repent.
But before 'twas complete, and till sure she was free,
Barbree drew up her loft-ladder, tight turned her key -
Tim bringing up breakfast and dinner and tea -
Till the news of her hiding got vent.

Then followed the custom-kept rout, shout, and flare
Of a skimmington-ride through the naibourhood, ere
Folk had proof o' wold Sweatley's decay.
Whereupon decent people all stood in a stare,
Saying Tim and his lodger should risk it, and pair:
So he took her to church. An' some laughing lads there
Cried to Tim, "After Sweatley!" She said, "I declare
I stand as a maiden to-day!"

Written 1866; printed 1875.

The Fire at Tranter Sweatley's

(II of III)

Her cwold little figure half-naked he views
Played about by the frolicsome breeze,
Her light-tripping totties, her ten little tooes,
All bare and besprinkled wi' Fall's chilly dews,
While her great gallied eyes, through her hair hanging loose,
Sheened as stars through a tardle o' trees.

She eyed en; and, as when a weir-hatch is drawn,
Her tears, penned by terror afore,
With a rushing of sobs in a shower were strawn,
Till her power to pour 'em seemed wasted and gone
From the heft o' misfortune she bore.

"O Tim, my OWN Tim I must call 'ee--I will!
All the world ha' turned round on me so!
Can you help her who loved 'ee, though acting so ill?
Can you pity her misery--feel for her still?
When worse than her body so quivering and chill
Is her heart in its winter o' woe!

"I think I mid almost ha' borne it," she said,
"Had my griefs one by one come to hand;
But O, to be slave to thik husbird for bread,
And then, upon top o' that, driven to wed,
And then, upon top o' that, burnt out o' bed,
Is more than my nater can stand!"

Tim's soul like a lion 'ithin en outsprung -
(Tim had a great soul when his feelings were wrung)--
"Feel for 'ee, dear Barbree?" he cried;
And his warm working-jacket about her he flung,
Made a back, horsed her up, till behind him she clung
Like a chiel on a gipsy, her figure uphung
By the sleeves that around her he tied.

Over piggeries, and mixens, and apples, and hay,
They lumpered straight into the night;
And finding bylong where a halter-path lay,
At dawn reached Tim's house, on'y seen on their way
By a naibour or two who were up wi' the day;
But they gathered no clue to the sight.

Then tender Tim Tankens he searched here and there
For some garment to clothe her fair skin;
But though he had breeches and waistcoats to spare,
He had nothing quite seemly for Barbree to wear,
Who, half shrammed to death, stood and cried on a chair
At the caddle she found herself in.

The Fire at Tranter Sweatley's

(I of III)

They had long met o' Zundays--her true love and she -
And at junketings, maypoles, and flings;
But she bode wi' a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibour Sweatley--a gaffer oft weak at the knee
From taking o' sommat more cheerful than tea -
Who tranted, and moved people's things.

She cried, "O pray pity me!" Nought would he hear;
Then with wild rainy eyes she obeyed.
She chid when her Love was for clinking off wi' her.
The pa'son was told, as the season drew near
To throw over pu'pit the names of the peair
As fitting one flesh to be made.

The wedding-day dawned and the morning drew on;
The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, "God save the King," and anon
The two home-along gloomily hied.

The lover Tim Tankens mourned heart-sick and drear
To be thus of his darling deprived:
He roamed in the dark ath'art field, mound, and mere,
And, a'most without knowing it, found himself near
The house of the tranter, and now of his Dear,
Where the lantern-light showed 'em arrived.

The bride sought her cham'er so calm and so pale
That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o' smoke, the red battle-field's vail,
That look spak' of havoc behind.

The bridegroom yet laitered a beaker to drain,
Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain -
Flames spread, and red vlankers, wi' might and wi' main,
And round beams, thatch, and chimley-tun roar.

Young Tim away yond, rafted up by the light,
Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi' fright,
Wi' on'y her night-rail to screen her from sight,
His lonesome young Barbree appears.

Fragment

At last I entered a long dark gallery,
Catacomb-lined; and ranged at the side
Were the bodies of men from far and wide
Who, motion past, were nevertheless not dead.

"The sense of waiting here strikes strong;
Everyone's waiting, waiting, it seems to me;
What are you waiting for so long? -
What is to happen?" I said.

"O we are waiting for one called God," said they,
"(Though by some the Will, or Force, or Laws;
And, vaguely, by some, the Ultimate Cause;)
Waiting for him to see us before we are clay.
Yes; waiting, waiting, for God TO KNOW IT" . . .

"To know what?" questioned I.
"To know how things have been going on earth and below it:
It is clear he must know some day."
I thereon asked them why.

"Since he made us humble pioneers
Of himself in consciousness of Life's tears,
It needs no mighty prophecy
To tell that what he could mindlessly show
His creatures, he himself will know.

"By some still close-cowled mystery
We have reached feeling faster than he,
But he will overtake us anon,
If the world goes on."

Wives in the Sere

I
Never a careworn wife but shows,
If a joy suffuse her,
Something beautiful to those
Patient to peruse her,
Some one charm the world unknows
Precious to a muser,
Haply what, ere years were foes,
Moved her mate to choose her.

II
But, be it a hint of rose
That an instant hues her,
Or some early light or pose
Wherewith thought renews her -
Seen by him at full, ere woes
Practised to abuse her -
Sparely comes it, swiftly goes,
Time again subdues her.

I Thought, My Heart

I thought, my Heart, that you had healed
Of those sore smartings of the past,
And that the summers had oversealed
All mark of them at last.
But closely scanning in the night
I saw them standing crimson-bright
Just as she made them:
Nothing could fade them;
Yea, I can swear
That there they were -
They still were there!

Then the Vision of her who cut them came,
And looking over my shoulder said,
"I am sure you deal me all the blame
For those sharp smarts and red;
But meet me, dearest, to-morrow night,
In the churchyard at the moon's half-height,
And so strange a kiss
Shall be mine, I wis,
That you'll cease to know
If the wounds you show
Be there or no!"

Her Father

[Weymouth from Portland - October 2008]

I met her, as we had privily planned,
Where passing feet beat busily:
She whispered: "Father is at hand!
He wished to walk with me."

His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
What Love must lose that day.

Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
Embarrassed, stiff, and cold.

A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
As of no worth at all?

"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
Of Time, and wrack, and foes."

WEYMOUTH.

The Dead Drummer

I
They throw in Drummer Hodge, to rest
Uncoffined--just as found:
His landmark is a kopje-crest
That breaks the veldt around;
And foreign constellations west
Each night above his mound.

II
Young Hodge the Drummer never knew -
Fresh from his Wessex home -
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.

III
Yet portion of that unknown plain
Will Hodge for ever be;
His homely Northern breast and brain
Grow up a Southern tree.
And strange-eyed constellations reign
His stars eternally.

On the Belgian Expatriation

I dreamt that people from the Land of Chimes
Arrived one autumn morning with their bells,
To hoist them on the towers and citadels
Of my own country, that the musical rhymes

Rung by them into space at meted times
Amid the market's daily stir and stress,
And the night's empty star-lit silentness,
Might solace souls of this and kindred climes.

Then I awoke; and lo, before me stood
The visioned ones, but pale and full of fear;
From Bruges they came, and Antwerp, and Ostend,

No carillons in their train. Foes of mad mood
Had shattered these to shards amid the gear
Of ravaged roof, and smouldering gable-end.

October 18, 1914.

Autumn in King's Hintock Park

Here by the baring bough
Raking up leaves,
Often I ponder how
Springtime deceives, -
I, an old woman now,
Raking up leaves.

Here in the avenue
Raking up leaves,
Lords' ladies pass in view,
Until one heaves
Sighs at life's russet hue,
Raking up leaves!

Just as my shape you see
Raking up leaves,
I saw, when fresh and free,
Those memory weaves
Into grey ghosts by me,
Raking up leaves.

Yet, Dear, though one may sigh,
Raking up leaves,
New leaves will dance on high -
Earth never grieves! -
Will not, when missed am I
Raking up leaves.

1901.

Evelyn G. of Christminster

I can see the towers
In mind quite clear
Not many hours'
Faring from here;
But how up and go,
And briskly bear
Thither, and know
That are not there?

Though the birds sing small,
And apple and pear
On your trees by the wall
Are ripe and rare,
Though none excel them,
I have no care
To taste them or smell them
And you not there.

Though the College stones
Are smit with the sun,
And the graduates and Dons
Who held you as one
Of brightest brow
Still think as they did,
Why haunt with them now
Your candle is hid?

Towards the river
A pealing swells:
They cost me a quiver -
Those prayerful bells!
How go to God,
Who can reprove
With so heavy a rod
As your swift remove!

The chorded keys
Wait all in a row,
And the bellows wheeze
As long ago.
And the psalter lingers,
And organist's chair;
But where are your fingers
That once wagged there?

Shall I then seek
That desert place
This or next week,
And those tracks trace
That fill me with cark
And cloy; nowhere
Being movement or mark
Of you now there!

The Bullfinches

Bother Bulleys, let us sing
From the dawn till evening! -
For we know not that we go not
When the day's pale pinions fold
Unto those who sang of old.

When I flew to Blackmoor Vale,
Whence the green-gowned faeries hail,
Roosting near them I could hear them
Speak of queenly Nature's ways,
Means, and moods,--well known to fays.

All we creatures, nigh and far
(Said they there), the Mother's are:
Yet she never shows endeavour
To protect from warrings wild
Bird or beast she calls her child.

Busy in her handsome house
Known as Space, she falls a-drowse;
Yet, in seeming, works on dreaming,
While beneath her groping hands
Fiends make havoc in her bands.

How her hussif'ry succeeds
She unknows or she unheeds,
All things making for Death's taking!
--So the green-gowned faeries say
Living over Blackmoor way.

Come then, brethren, let us sing,
From the dawn till evening! -
For we know not that we go not
When the day's pale pinions fold
Unto those who sang of old.

Shelley's Skylark

(The neighbourhood of Leghorn: March, 1887)

Somewhere afield here something lies
In Earth's oblivious eyeless trust
That moved a poet to prophecies -
A pinch of unseen, unguarded dust

The dust of the lark that Shelley heard,
And made immortal through times to be; -
Though it only lived like another bird,
And knew not its immortality.

Lived its meek life; then, one day, fell -
A little ball of feather and bone;
And how it perished, when piped farewell,
And where it wastes, are alike unknown.

Maybe it rests in the loam I view,
Maybe it throbs in a myrtle's green,
Maybe it sleeps in the coming hue
Of a grape on the slopes of yon inland scene.

Go find it, faeries, go and find
That tiny pinch of priceless dust,
And bring a casket silver-lined,
And framed of gold that gems encrust;

And we will lay it safe therein,
And consecrate it to endless time;
For it inspired a bard to win
Ecstatic heights in thought and rhyme.

The Selfsame Song

A bird bills the selfsame song,
With never a fault in its flow,
That we listened to here those long
Long years ago.

A pleasing marvel is how
A strain of such rapturous rote
Should have gone on thus till now
Unchanged in a note!

- But it's not the selfsame bird. -
No: perished to dust is he . . .
As also are those who heard
That song with me.

Wagtail and Baby

A baby watched a ford, whereto
A wagtail came for drinking;
A blaring bull went wading through,
The wagtail showed no shrinking.

A stallion splashed his way across,
The birdie nearly sinking;
He gave his plumes a twitch and toss,
And held his own unblinking.

Next saw the baby round the spot
A mongrel slowly slinking;
The wagtail gazed, but faltered not
In dip and sip and prinking.

A perfect gentleman then neared;
The wagtail, in a winking,
With terror rose and disappeared;
The baby fell a-thinking.

After the Visit

(To F. E. D.)

Come again to the place
Where your presence was as a leaf that skims
Down a drouthy way whose ascent bedims
The bloom on the farer's face.

Come again, with the feet
That were light on the green as a thistledown ball,
And those mute ministrations to one and to all
Beyond a man's saying sweet.

Until then the faint scent
Of the bordering flowers swam unheeded away,
And I marked not the charm in the changes of day
As the cloud-colours came and went.

Through the dark corridors
Your walk was so soundless I did not know
Your form from a phantom's of long ago
Said to pass on the ancient floors,

Till you drew from the shade,
And I saw the large luminous living eyes
Regard me in fixed inquiring-wise
As those of a soul that weighed,

Scarce consciously,
The eternal question of what Life was,
And why we were there, and by whose strange laws
That which mattered most could not be.

By the Earth's Corpse (excerpt)

Written indelibly
On my eternal mind
Are all the wrongs endured
By Earth's poor patient kind,
Which my too oft unconscious hand
Let enter undesigned.
No god can cancel deeds foredone,
Or thy old coils unwind!

On the Way

The Background and the Figure

(Lover's Ditty)

I think of the slope where the rabbits fed,
Of the periwinks' rockwork lair,
Of the fuchsias ringing their bells of red -
And the something else seen there.

Between the blooms where the sod basked bright,
By the bobbing fuchsia trees,
Was another and yet more eyesome sight -
The sight that richened these.

I shall seek those beauties in the spring,
When the days are fit and fair,
But only as foils to the one more thing
That also will flower there!

Overlooking the River Stour

The swallows flew in the curves of an eight
Above the river-gleam
In the wet June's last beam:
Like little crossbows animate
The swallows flew in the curves of an eight
Above the river-gleam.

Planing up shavings of crystal spray
A moor-hen darted out
From the bank thereabout,
And through the stream-shine ripped his way;
Planing up shavings of crystal spray
A moor-hen darted out.

Closed were the kingcups; and the mead
Dripped in monotonous green,
Though the day's morning sheen
Had shown it golden and honeybee'd;
Closed were the kingcups; and the mead
Dripped in monotonous green.

And never I turned my head, alack,
While these things met my gaze
Through the pane's drop-drenched glaze,
To see the more behind my back . . .
O never I turned, but let, alack,
These less things hold my gaze!

Going and Staying

I
The moving sun-shapes on the spray,
The sparkles where the brook was flowing,
Pink faces, plightings, moonlit May,
These were the things we wished would stay;
But they were going.

II
Seasons of blankness as of snow,
The silent bleed of a world decaying,
The moan of multitudes in woe,
These were the things we wished would go;
But they were staying.

III
Then we looked closelier at Time,
And saw his ghostly arms revolving
To sweep off woeful things with prime,
Things sinister with things sublime
Alike dissolving.

Middle Age Enthusiams (excerpt)

We walked where shy birds stood
Watching us, wonder-dumb;
Their friendship met our mood;
We cried: "We'll often come:
We'll come morn, noon, eve, everywhen!"
- We doubted we should come again.

We joyed to see strange sheens
Leap from quaint leaves in shade;
A secret light of greens
They'd for their pleasure made.
We said: "We'll set such sorts as these!"
- We knew with night the wish would cease.

The Ruined Maid

"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?" -
"O didn't you know I'd been ruined?" said she.

- "You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!" -
"Yes: that's how we dress when we're ruined," said she.

- "At home in the barton you said 'thee' and 'thou,'
And 'thik oon,' and 'theas oon,' and 't'other'; but now
Your talking quite fits 'ee for high compa-ny!" -
"Some polish is gained with one's ruin," said she.

- "Your hands were like paws then, your face blue and bleak,
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!" -
"We never do work when we're ruined," said she.

- "You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!" -
"True. There's an advantage in ruin," said she.

- "I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!" -
"My dear--a raw country girl, such as you be,
Isn't equal to that. You ain't ruined," said she.

WESTBOURNE PARK VILLAS, 1866,

She Did Not Turn

She did not turn,
But passed foot-faint with averted head
In her gown of green, by the bobbing fern,
Though I leaned over the gate that led
From where we waited with table spread;
But she did not turn:
Why was she near there if love had fled?

She did not turn,
Though the gate was whence I had often sped
In the mists of morning to meet her, and learn
Her heart, when its moving moods I read
As a book--she mine, as she sometimes said;
But she did not turn,
And passed foot-faint with averted head.

A Wet August

Nine drops of water bead the jessamine,
And nine-and-ninety smear the stones and tiles:
- 'Twas not so in that August--full-rayed, fine--
When we lived out-of-doors, sang songs, strode miles.

Or was there then no noted radiancy
Of summer? Were dun clouds, a dribbling bough,
Gilt over by the light I bore in me,
And was the waste world just the same as now?

It can have been so: yea, that threatenings
Of coming down-drip on the sunless gray,
By the then possibilities in things
Were wrought more bright than brightest skies to-day.

1920.

If you had known

If you had known
When listening with her to the far-down moan
Of the white-selvaged and empurpled sea,
And rain came on that did not hinder talk,
Or damp your flashing facile gaiety
In turning home, despite the slow wet walk
By crooked ways, and over stiles of stone;
If you had known

You would lay roses,
Fifty years thence, on her monument, that discloses
Its graying shape upon the luxuriant green;
Fifty years thence to an hour, by chance led there,
What might have moved you?--yea, had you foreseen
That on the tomb of the selfsame one, gone where
The dawn of every day is as the close is,
You would lay roses!

1920.

1967

In five-score summers! All new eyes,
New minds, new modes, new fools, new wise;
New woes to weep, new joys to prize;

With nothing left of me and you
In that live century's vivid view
Beyond a pinch of dust or two;

A century which, if not sublime,
Will show, I doubt not, at its prime,
A scope above this blinkered time.

- Yet what to me how far above?
For I would only ask thereof
That thy worm should be my worm, Love!

16 WESTBOURNE PARK VILLAS, 1867.

When I set out for Lyonnesse

When I set out for Lyonnesse,
A hundred miles away,
The rime was on the spray,
And starlight lit my lonesomeness
When I set out for Lyonnesse
A hundred miles away.

What would bechance at Lyonnesse
While I should sojourn there
No prophet durst declare,
Nor did the wisest wizard guess
What would bechance at Lyonnesse
While I should sojourn there.

When I came back from Lyonnesse
With magic in my eyes,
None managed to surmise
What meant my godlike gloriousness,
When I came back from Lyonnesse
With magic in my eyes.

The Difference

I
Sinking down by the gate I discern the thin moon,
And a blackbird tries over old airs in the pine,
But the moon is a sorry one, sad the bird's tune,
For this spot is unknown to that Heartmate of mine.

II
Did my Heartmate but haunt here at times such as now,
The song would be joyous and cheerful the moon;
But she will see never this gate, path, or bough,
Nor I find a joy in the scene or the tune.

The Selfsame Song

Exeunt Omnes

I
Everybody else, then, going,
And I still left where the fair was? . . .
Much have I seen of neighbour loungers
Making a lusty showing,
Each now past all knowing.

II
There is an air of blankness
In the street and the littered spaces;
Thoroughfare, steeple, bridge and highway
Wizen themselves to lankness;
Kennels dribble dankness.

III
Folk all fade. And whither,
As I wait alone where the fair was?
Into the clammy and numbing night-fog
Whence they entered hither.
Soon do I follow thither!

June 2, 1913.

I said to Love

I said to Love,
"It is not now as in old days
When men adored thee and thy ways
All else above;
Named thee the Boy, the Bright, the One
Who spread a heaven beneath the sun,"
I said to Love.

I said to him,
"We now know more of thee than then;
We were but weak in judgment when,
With hearts abrim,
We clamoured thee that thou would'st please
Inflict on us thine agonies,"
I said to him.

I said to Love,
"Thou art not young, thou art not fair,
No faery darts, no cherub air,
Nor swan, nor dove
Are thine; but features pitiless,
And iron daggers of distress,"
I said to Love.

"Depart then, Love! . . .
- Man's race shall end, dost threaten thou?
The age to come the man of now
Know nothing of? -
We fear not such a threat from thee;
We are too old in apathy!
Mankind shall cease.--So let it be,"
I said to Love.

The Christening

Whose child is this they bring
Into the aisle? -
At so superb a thing
The congregation smile
And turn their heads awhile.

Its eyes are blue and bright,
Its cheeks like rose;
Its simple robes unite
Whitest of calicoes
With lawn, and satin bows.

A pride in the human race
At this paragon
Of mortals, lights each face
While the old rite goes on;
But ah, they are shocked anon.

What girl is she who peeps
From the gallery stair,
Smiles palely, redly weeps,
With feverish furtive air
As though not fitly there?

"I am the baby's mother;
This gem of the race
The decent fain would smother,
And for my deep disgrace
I am bidden to leave the place."

"Where is the baby's father?" -
"In the woods afar.
He says there is none he'd rather
Meet under moon or star
Than me, of all that are.

"To clasp me in lovelike weather,
Wish fixing when,
He says: To be together
At will, just now and then,
Makes him the blest of men;

"But chained and doomed for life
To slovening
As vulgar man and wife,
He says, is another thing:
Yea: sweet Love's sepulchring!"

1904.

The Dark-eyed Gentleman

I
I pitched my day's leazings in Crimmercrock Lane,
To tie up my garter and jog on again,
When a dear dark-eyed gentleman passed there and said,
In a way that made all o' me colour rose-red,
"What do I see -
O pretty knee!"
And he came and he tied up my garter for me.

II
'Twixt sunset and moonrise it was, I can mind:
Ah, 'tis easy to lose what we nevermore find! -
Of the dear stranger's home, of his name, I knew nought,
But I soon knew his nature and all that it brought.
Then bitterly
Sobbed I that he
Should ever have tied up my garter for me!

III
Yet now I've beside me a fine lissom lad,
And my slip's nigh forgot, and my days are not sad;
My own dearest joy is he, comrade, and friend,
He it is who safe-guards me, on him I depend;
No sorrow brings he,
And thankful I be
That his daddy once tied up my garter for me!

NOTE.--"Leazings" (line 1).--Bundle of gleaned corn.

The Seasons of Her Year

I
Winter is white on turf and tree,
And birds are fled;
But summer songsters pipe to me,
And petals spread,
For what I dreamt of secretly
His lips have said!

II
O 'tis a fine May morn, they say,
And blooms have blown;
But wild and wintry is my day,
My birds make moan;
For he who vowed leaves me to pay
Alone--alone!

The Man with a Past

There was merry-making
When the first dart fell
As a heralding, -
Till grinned the fully bared thing,
And froze like a spell -
Like a spell.

Innocent was she,
Innocent was I,
Too simple we!
Before us we did not see,
Nearing, aught wry -
Aught wry!

I can tell it not now,
It was long ago;
And such things cow;
But that is why and how
Two lives were so -
Were so.

Yes, the years matured,
And the blows were three
That time ensured
On her, which she dumbly endured;
And one on me -
One on me.

Panthera (excerpt)

Yea, as I sit here, crutched, and cricked, and bent,
I think of Panthera, who underwent
Much from insidious aches in his decline;
But his aches were not radical like mine;
They were the twinges of old wounds--the feel
Of the hand he had lost, shorn by barbarian steel,
Which came back, so he said, at a change in the air,
Fingers and all, as if it still were there.
My pains are otherwise: upclosing cramps
And stiffened tendons from this country's damps,
Where Panthera was never commandant. -
The Fates sent him by way of the Levant.
He had been blithe in his young manhood's time,
And as centurion carried well his prime.
In Ethiop, Araby, climes fair and fell,
He had seen service and had borne him well.
Nought shook him then: he was serene as brave;
Yet later knew some shocks, and would grow grave
When pondering them; shocks less of corporal kind
Than phantom-like, that disarranged his mind;
And it was in the way of warning me
(By much his junior) against levity
That he recounted them; and one in chief
Panthera loved to set in bold relief.

(For other forms of this legend--first met with in the second century--see Origen contra Celsum; the Talmud; Sepher Toldoth Jeschu; quoted fragments of lost Apocryphal gospels; Strauss, Haeckel; etc.)

On a discovered curl of hair

When your soft welcomings were said,
This curl was waving on your head,
And when we walked where breakers dinned
It sported in the sun and wind,
And when I had won your words of grace
It brushed and clung about my face.
Then, to abate the misery
Of absentness, you gave it me.

Where are its fellows now? Ah, they
For brightest brown have donned a gray,
And gone into a caverned ark,
Ever unopened, always dark!

Yet this one curl, untouched of time,
Beams with live brown as in its prime,
So that it seems I even could now
Restore it to the living brow
By bearing down the western road
Till I had reached your old abode.

February 1913.

One We Knew

(M. H. 1772-1857)

She told how they used to form for the country dances -
"The Triumph," "The New-rigged Ship" -
To the light of the guttering wax in the panelled manses,
And in cots to the blink of a dip.

She spoke of the wild "poussetting" and "allemanding"
On carpet, on oak, and on sod;
And the two long rows of ladies and gentlemen standing,
And the figures the couples trod.

She showed us the spot where the maypole was yearly planted,
And where the bandsmen stood
While breeched and kerchiefed partners whirled, and panted
To choose each other for good.

She told of that far-back day when they learnt astounded
Of the death of the King of France:
Of the Terror; and then of Bonaparte's unbounded
Ambition and arrogance.

Of how his threats woke warlike preparations
Along the southern strand,
And how each night brought tremors and trepidations
Lest morning should see him land.

She said she had often heard the gibbet creaking
As it swayed in the lightning flash,
Had caught from the neighbouring town a small child's shrieking
At the cart-tail under the lash . . .

With cap-framed face and long gaze into the embers -
We seated around her knees -
She would dwell on such dead themes, not as one who remembers,
But rather as one who sees.

She seemed one left behind of a band gone distant
So far that no tongue could hail:
Past things retold were to her as things existent,
Things present but as a tale.

May 20, 1902.