Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
Her Song
I sang that song on Sunday,
To witch an idle while,
I sang that song on Monday,
As fittest to beguile;
I sang it as the year outwore,
And the new slid in;
I thought not what might shape before
Another would begin.
I sang that song in summer,
All unforeknowingly,
To him as a new-comer
From regions strange to me:
I sang it when in afteryears
The shades stretched out,
And paths were faint; and flocking fears
Brought cup-eyed care and doubt.
Sings he that song on Sundays
In some dim land afar,
On Saturdays, or Mondays,
As when the evening star
Glimpsed in upon his bending face
And my hanging hair,
And time untouched me with a trace
Of soul-smart or despair?
To witch an idle while,
I sang that song on Monday,
As fittest to beguile;
I sang it as the year outwore,
And the new slid in;
I thought not what might shape before
Another would begin.
I sang that song in summer,
All unforeknowingly,
To him as a new-comer
From regions strange to me:
I sang it when in afteryears
The shades stretched out,
And paths were faint; and flocking fears
Brought cup-eyed care and doubt.
Sings he that song on Sundays
In some dim land afar,
On Saturdays, or Mondays,
As when the evening star
Glimpsed in upon his bending face
And my hanging hair,
And time untouched me with a trace
Of soul-smart or despair?
Her Father
I met her, as we had privily planned,
Where passing feet beat busily:
She whispered: "Father is at hand!
He wished to walk with me."
His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
What Love must lose that day.
Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
Embarrassed, stiff, and cold.
A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
As of no worth at all?
"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
Of Time, and wrack, and foes."
WEYMOUTH.
Where passing feet beat busily:
She whispered: "Father is at hand!
He wished to walk with me."
His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
What Love must lose that day.
Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
Embarrassed, stiff, and cold.
A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
As of no worth at all?
"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
Of Time, and wrack, and foes."
WEYMOUTH.
In the Garden
We waited for the sun
To break its cloudy prison
(For day was not yet done,
And night still unbegun)
Leaning by the dial.
After many a trial -
We all silent there -
It burst as new-arisen,
Throwing a shade to where
Time travelled at that minute.
Little saw we in it,
But this much I know,
Of lookers on that shade,
Her towards whom it made
Soonest had to go.
To break its cloudy prison
(For day was not yet done,
And night still unbegun)
Leaning by the dial.
After many a trial -
We all silent there -
It burst as new-arisen,
Throwing a shade to where
Time travelled at that minute.
Little saw we in it,
But this much I know,
Of lookers on that shade,
Her towards whom it made
Soonest had to go.
The House of Silence
"That is a quiet place -
That house in the trees with the shady lawn."
"--If, child, you knew what there goes on
You would not call it a quiet place.
Why, a phantom abides there, the last of its race,
And a brain spins there till dawn."
"But I see nobody there, -
Nobody moves about the green,
Or wanders the heavy trees between."
"--Ah, that's because you do not bear
The visioning powers of souls who dare
To pierce the material screen.
"Morning, noon, and night,
Mid those funereal shades that seem
The uncanny scenery of a dream,
Figures dance to a mind with sight,
And music and laughter like floods of light
Make all the precincts gleam.
"It is a poet's bower,
Through which there pass, in fleet arrays,
Long teams of all the years and days,
Of joys and sorrows, of earth and heaven,
That meet mankind in its ages seven,
An aion in an hour."
That house in the trees with the shady lawn."
"--If, child, you knew what there goes on
You would not call it a quiet place.
Why, a phantom abides there, the last of its race,
And a brain spins there till dawn."
"But I see nobody there, -
Nobody moves about the green,
Or wanders the heavy trees between."
"--Ah, that's because you do not bear
The visioning powers of souls who dare
To pierce the material screen.
"Morning, noon, and night,
Mid those funereal shades that seem
The uncanny scenery of a dream,
Figures dance to a mind with sight,
And music and laughter like floods of light
Make all the precincts gleam.
"It is a poet's bower,
Through which there pass, in fleet arrays,
Long teams of all the years and days,
Of joys and sorrows, of earth and heaven,
That meet mankind in its ages seven,
An aion in an hour."
A Poet
Attentive eyes, fantastic heed,
Assessing minds, he does not need,
Nor urgent writs to sup or dine,
Nor pledges in the roseate wine.
For loud acclaim he does not care
By the august or rich or fair,
Nor for smart pilgrims from afar,
Curious on where his hauntings are.
But soon or later, when you hear
That he has doffed this wrinkled gear,
Some evening, at the first star-ray,
Come to his graveside, pause and say:
"Whatever the message his to tell,
Two bright-souled women loved him well."
Stand and say that amid the dim:
It will be praise enough for him.
July 1914.
Assessing minds, he does not need,
Nor urgent writs to sup or dine,
Nor pledges in the roseate wine.
For loud acclaim he does not care
By the august or rich or fair,
Nor for smart pilgrims from afar,
Curious on where his hauntings are.
But soon or later, when you hear
That he has doffed this wrinkled gear,
Some evening, at the first star-ray,
Come to his graveside, pause and say:
"Whatever the message his to tell,
Two bright-souled women loved him well."
Stand and say that amid the dim:
It will be praise enough for him.
July 1914.
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