Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
A Spot
In years defaced and lost,
Two sat here, transport-tossed,
Lit by a living love
The wilted world knew nothing of:
Scared momently
By gaingivings,
Then hoping things
That could not be.
Of love and us no trace
Abides upon the place;
The sun and shadows wheel,
Season and season sereward steal;
Foul days and fair
Here, too, prevail,
And gust and gale
As everywhere.
But lonely shepherd souls
Who bask amid these knolls
May catch a faery sound
On sleepy noontides from the ground:
"O not again
Till Earth outwears
Shall love like theirs
Suffuse this glen!"
If it's ever Spring again"
Song
If it's ever spring again,
Spring again,
I shall go where went I when
Down the moor-cock splashed, and hen,
Seeing me not, amid their flounder,
Standing with my arm around her;
If it's ever spring again,
Spring again,
I shall go where went I then.
If it's ever summer-time,
Summer-time,
With the hay crop at the prime,
And the cuckoos--two--in rhyme,
As they used to be, or seemed to,
We shall do as long we've dreamed to,
If it's ever summer-time,
Summer-time,
With the hay, and bees achime.
If it's ever spring again,
Spring again,
I shall go where went I when
Down the moor-cock splashed, and hen,
Seeing me not, amid their flounder,
Standing with my arm around her;
If it's ever spring again,
Spring again,
I shall go where went I then.
If it's ever summer-time,
Summer-time,
With the hay crop at the prime,
And the cuckoos--two--in rhyme,
As they used to be, or seemed to,
We shall do as long we've dreamed to,
If it's ever summer-time,
Summer-time,
With the hay, and bees achime.
To an Orphan Child
A Whimsey
Ah, child, thou art but half thy darling mother's;
Hers couldst thou wholly be,
My light in thee would outglow all in others;
She would relive to me.
But niggard Nature's trick of birth
Bars, lest she overjoy,
Renewal of the loved on earth
Save with alloy.
The Dame has no regard, alas, my maiden,
For love and loss like mine -
No sympathy with mind-sight memory-laden;
Only with fickle eyne.
To her mechanic artistry
My dreams are all unknown,
And why I wish that thou couldst be
But One's alone!
Four Footprints
Here are the tracks upon the sand
Where stood last evening she and I -
Pressed heart to heart and hand to hand;
The morning sun has baked them dry.
I kissed her wet face--wet with rain,
For arid grief had burnt up tears,
While reached us as in sleeping pain
The distant gurgling of the weirs.
"I have married him--yes; feel that ring;
'Tis a week ago that he put it on . . .
A dutiful daughter does this thing,
And resignation succeeds anon!
"But that I body and soul was yours
Ere he'd possession, he'll never know.
He's a confident man. 'The husband scores,'
He says, 'in the long run' . . . Now, Dear, go!"
I went. And to-day I pass the spot;
It is only a smart the more to endure;
And she whom I held is as though she were not,
For they have resumed their honeymoon tour.
Summer Schemes
When friendly summer calls again,
Calls again
Her little fifers to these hills,
We'll go--we two--to that arched fane
Of leafage where they prime their bills
Before they start to flood the plain
With quavers, minims, shakes, and trills.
"--We'll go," I sing; but who shall say
What may not chance before that day!
And we shall see the waters spring,
Waters spring
From chinks the scrubby copses crown;
And we shall trace their oncreeping
To where the cascade tumbles down
And sends the bobbing growths aswing,
And ferns not quite but almost drown.
"--We shall," I say; but who may sing
Of what another moon will bring!
Calls again
Her little fifers to these hills,
We'll go--we two--to that arched fane
Of leafage where they prime their bills
Before they start to flood the plain
With quavers, minims, shakes, and trills.
"--We'll go," I sing; but who shall say
What may not chance before that day!
And we shall see the waters spring,
Waters spring
From chinks the scrubby copses crown;
And we shall trace their oncreeping
To where the cascade tumbles down
And sends the bobbing growths aswing,
And ferns not quite but almost drown.
"--We shall," I say; but who may sing
Of what another moon will bring!
In a Wood
See "THE WOODLANDERS"
Pale beech and pine-tree blue,
Set in one clay,
Bough to bough cannot you
Bide out your day?
When the rains skim and skip,
Why mar sweet comradeship,
Blighting with poison-drip
Neighbourly spray?
Heart-halt and spirit-lame,
City-opprest,
Unto this wood I came
As to a nest;
Dreaming that sylvan peace
Offered the harrowed ease--
Nature a soft release
From men's unrest.
But, having entered in,
Great growths and small
Show them to men akin -
Combatants all!
Sycamore shoulders oak,
Bines the slim sapling yoke,
Ivy-spun halters choke
Elms stout and tall.
Touches from ash, O wych,
Sting you like scorn!
You, too, brave hollies, twitch
Sidelong from thorn.
Even the rank poplars bear
Illy a rival's air,
Cankering in black despair
Since, then, no grace I find
Worthy as these.
There at least smiles abound,
Pale beech and pine-tree blue,
Set in one clay,
Bough to bough cannot you
Bide out your day?
When the rains skim and skip,
Why mar sweet comradeship,
Blighting with poison-drip
Neighbourly spray?
Heart-halt and spirit-lame,
City-opprest,
Unto this wood I came
As to a nest;
Dreaming that sylvan peace
Offered the harrowed ease--
Nature a soft release
From men's unrest.
But, having entered in,
Great growths and small
Show them to men akin -
Combatants all!
Sycamore shoulders oak,
Bines the slim sapling yoke,
Ivy-spun halters choke
Elms stout and tall.
Touches from ash, O wych,
Sting you like scorn!
You, too, brave hollies, twitch
Sidelong from thorn.
Even the rank poplars bear
Illy a rival's air,
Cankering in black despair
If overborne.
Taught me of trees,
Turn I back to my kind,Worthy as these.
There at least smiles abound,
There discourse trills around,
There, now and then, are foundLife-loyalties.
1887: 1896.
The Fiddler
The fiddler knows what's brewing
To the lilt of his lyric wiles:
The fiddler knows what rueing
Will come of this night's smiles!
He sees couples join them for dancing,
And afterwards joining for life,
He sees them pay high for their prancing
By a welter of wedded strife.
He twangs: "Music hails from the devil,
Though vaunted to come from heaven,
For it makes people do at a revel
What multiplies sins by seven.
"There's many a heart now mangled,
And waiting its time to go,
Whose tendrils were first entangled
By my sweet viol and bow!"
Moments of Vision
That mirror
Which makes of men a transparency,
Who holds that mirror
And bids us such a breast-bare spectacle see
Of you and me?
That mirror
Whose magic penetrates like a dart,
Who lifts that mirror
And throws our mind back on us, and our heart,
Until we start?
That mirror
Works well in these night hours of ache;
Why in that mirror
Are tincts we never see ourselves once take
When the world is awake?
That mirror
Can test each mortal when unaware;
Yea, that strange mirror
May catch his last thoughts, whole life foul or fair,
Glassing it--where?
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