Come again to the place
Where your presence was as a leaf that skims
Down a drouthy way whose ascent bedims
The bloom on the farer's face.
Come again, with the feet
That were light on the green as a thistledown ball,
And those mute ministrations to one and to all
Beyond a man's saying sweet.
Until then the faint scent
Of the bordering flowers swam unheeded away,
And I marked not the charm in the changes of day
As the cloud-colours came and went.
Through the dark corridors
Your walk was so soundless I did not know
Your form from a phantom's of long ago
Said to pass on the ancient floors,
Till you drew from the shade,
And I saw the large luminous living eyes
Regard me in fixed inquiring-wise
As those of a soul that weighed,
Scarce consciously,
The eternal question of what Life was,
And why we were there, and by whose strange laws
That which mattered most could not be.
Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
Weathers
This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly:
And the little brown nightingale bills his best,
And they sit outside at "The Travellers' Rest,"
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.
II
This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh, and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate-bars hang in a row,
And rooks in families homeward go,
And so do I.
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly:
And the little brown nightingale bills his best,
And they sit outside at "The Travellers' Rest,"
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.
II
This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh, and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate-bars hang in a row,
And rooks in families homeward go,
And so do I.
We sat at the Window
(Bournemouth, 1875)
We sat at the window looking out,
And the rain came down like silken strings
That Swithin's day. Each gutter and spout
Babbled unchecked in the busy way
Of witless things:
Nothing to read, nothing to see
Seemed in that room for her and me
On Swithin's day.
We were irked by the scene, by our own selves; yes,
For I did not know, nor did she infer
How much there was to read and guess
By her in me, and to see and crown
By me in her.
Wasted were two souls in their prime,
And great was the waste, that July time
When the rain came down.
We sat at the window looking out,
And the rain came down like silken strings
That Swithin's day. Each gutter and spout
Babbled unchecked in the busy way
Of witless things:
Nothing to read, nothing to see
Seemed in that room for her and me
On Swithin's day.
We were irked by the scene, by our own selves; yes,
For I did not know, nor did she infer
How much there was to read and guess
By her in me, and to see and crown
By me in her.
Wasted were two souls in their prime,
And great was the waste, that July time
When the rain came down.
Her Song
I sang that song on Sunday,
To witch an idle while,
I sang that song on Monday,
As fittest to beguile;
I sang it as the year outwore,
And the new slid in;
I thought not what might shape before
Another would begin.
I sang that song in summer,
All unforeknowingly,
To him as a new-comer
From regions strange to me:
I sang it when in afteryears
The shades stretched out,
And paths were faint; and flocking fears
Brought cup-eyed care and doubt.
Sings he that song on Sundays
In some dim land afar,
On Saturdays, or Mondays,
As when the evening star
Glimpsed in upon his bending face
And my hanging hair,
And time untouched me with a trace
Of soul-smart or despair?
The Division
Rain on the windows, creaking doors,
With blasts that besom the green,
And I am here, and you are there,
And a hundred miles between!
O were it but the weather, Dear,
O were it but the miles
That summed up all our severance,
There might be room for smiles.
But that thwart thing betwixt us twain,
Which nothing cleaves or clears,
Is more than distance, Dear, or rain,
And longer than the years!
1893.
A Confession to a Friend in Trouble
Your troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles--with listlessness -
Yet smiles they are, not ghastly mockeries mere.
A thought too strange to house within my brain
Haunting its outer precincts I discern:
- That I will not show zeal again to learn
Your griefs, and sharing them, renew my pain . . .
It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!
1866.
The Ageing House
When the walls were red
That now are seen
To be overspread
With a mouldy green,
A fresh fair head
Would often lean
From the sunny casement
And scan the scene,
While blithely spoke the wind to the little sycamore tree.
But storms have raged
Those walls about,
And the head has aged
That once looked out;
And zest is suaged
And trust is doubt,
And slow effacement
Is rife throughout,
While fiercely girds the wind at the long-limbed sycamore tree!
To Life
O life with the sad seared face,
I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
And thy too-forced pleasantry!
I know what thou would'st tell
Of Death, Time, Destiny -
I have known it long, and know, too, well
What it all means for me.
But canst thou not array
Thyself in rare disguise,
And feign like truth, for one mad day,
That Earth is Paradise?
I'll tune me to the mood,
And mumm with thee till eve;
And maybe what as interlude
I feign, I shall believe!
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