Plunging and labouring on in a tide of visions,
Dolorous and dear,
Forward I pushed my way as amid waste waters
Stretching around,
Through whose eddies there glimmered the customed landscape
Yonder and near,
Blotted to feeble mist. And the coomb and the upland
Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
Meadow or mound.
What were the infinite spectacles bulking foremost
Under my sight,
Hindering me to discern my paced advancement
Lengthening to miles;
What were the re-creations killing the daytime
As by the night?
[Image: Chris Spracklen]
Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
Her Confession
As some bland soul, to whom a debtor says
"I'll now repay the amount I owe to you,"
In inward gladness feigns forgetfulness
That such a payment ever was his due
(His long thought notwithstanding), so did I
At our last meeting waive your proffered kiss
With quick divergent talk of scenery nigh,
By such suspension to enhance my bliss.
And as his looks in consternation fall
When, gathering that the debt is lightly deemed,
The debtor makes as not to pay at all,
So faltered I, when your intention seemed
Converted by my false uneagerness
To putting off for ever the caress.
W. P. V., 1865-67.
"I'll now repay the amount I owe to you,"
In inward gladness feigns forgetfulness
That such a payment ever was his due
(His long thought notwithstanding), so did I
At our last meeting waive your proffered kiss
With quick divergent talk of scenery nigh,
By such suspension to enhance my bliss.
And as his looks in consternation fall
When, gathering that the debt is lightly deemed,
The debtor makes as not to pay at all,
So faltered I, when your intention seemed
Converted by my false uneagerness
To putting off for ever the caress.
W. P. V., 1865-67.
The Farm-Woman's Winter
I
If seasons all were summers,
And leaves would never fall,
And hopping casement-comers
Were foodless not at all,
And fragile folk might be here
That white winds bid depart;
Then one I used to see here
Would warm my wasted heart!
II
One frail, who, bravely tilling
Long hours in gripping gusts,
Was mastered by their chilling,
And now his ploughshare rusts.
So savage winter catches
The breath of limber things,
And what I love he snatches,
And what I love not, brings.
If seasons all were summers,
And leaves would never fall,
And hopping casement-comers
Were foodless not at all,
And fragile folk might be here
That white winds bid depart;
Then one I used to see here
Would warm my wasted heart!
II
One frail, who, bravely tilling
Long hours in gripping gusts,
Was mastered by their chilling,
And now his ploughshare rusts.
So savage winter catches
The breath of limber things,
And what I love he snatches,
And what I love not, brings.
from "In a London Flat"
"You look like a widower," she said
Through the folding-doors with a laugh from the bed,
As he sat by the fire in the outer room,
Reading late on a night of gloom,
And a cab-hack's wheeze, and the clap of its feet
In its breathless pace on the smooth wet street,
Were all that came to them now and then . . .
"You really do!" she quizzed again.
Through the folding-doors with a laugh from the bed,
As he sat by the fire in the outer room,
Reading late on a night of gloom,
And a cab-hack's wheeze, and the clap of its feet
In its breathless pace on the smooth wet street,
Were all that came to them now and then . . .
"You really do!" she quizzed again.
A Wet Night
I pace along, the rain-shafts riddling me,
Mile after mile out by the moorland way,
And up the hill, and through the ewe-leaze gray
Into the lane, and round the corner tree;
Where, as my clothing clams me, mire-bestarred,
And the enfeebled light dies out of day,
Leaving the liquid shades to reign, I say,
"This is a hardship to be calendared!"
Yet sires of mine now perished and forgot,
When worse beset, ere roads were shapen here,
And night and storm were foes indeed to fear,
Times numberless have trudged across this spot
In sturdy muteness on their strenuous lot,
And taking all such toils as trifles mere.
Mile after mile out by the moorland way,
And up the hill, and through the ewe-leaze gray
Into the lane, and round the corner tree;
Where, as my clothing clams me, mire-bestarred,
And the enfeebled light dies out of day,
Leaving the liquid shades to reign, I say,
"This is a hardship to be calendared!"
Yet sires of mine now perished and forgot,
When worse beset, ere roads were shapen here,
And night and storm were foes indeed to fear,
Times numberless have trudged across this spot
In sturdy muteness on their strenuous lot,
And taking all such toils as trifles mere.
The Division
Rain on the windows, creaking doors,
With blasts that besom the green,
And I am here, and you are there,
And a hundred miles between!
O were it but the weather, Dear,
O were it but the miles
That summed up all our severance,
There might be room for smiles.
But that thwart thing betwixt us twain,
Which nothing cleaves or clears,
Is more than distance, Dear, or rain,
And longer than the years!
1893.
With blasts that besom the green,
And I am here, and you are there,
And a hundred miles between!
O were it but the weather, Dear,
O were it but the miles
That summed up all our severance,
There might be room for smiles.
But that thwart thing betwixt us twain,
Which nothing cleaves or clears,
Is more than distance, Dear, or rain,
And longer than the years!
1893.
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