In a Museum

[The Royal Albert Memorial Museum, Exeter]

I
Here's the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There's a contralto voice I heard last night,
That lodges in me still with its sweet singing.

II
Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fugued song of the universe unending.

EXETER.

When Prince Albert died in 1861, one of the Secretaries for the Great Exhibition and a Devon MP, Sir Stafford Northcote, proposed a memorial to Albert should be established in Exeter. An appeal for funds was launched and a meeting the following year created the blueprint for the Devon and Exeter Albert Memorial Institution. This was to be a new building on Queen Street housing a museum and art gallery, a free public library, a school of art and a college.

"An exquisite jewel box of a building; a Venetian casket. One of the most appealing treasures in Britain." (Dan Cruickshank, architectural heritage consultant, writer and TV presenter - October 2006)

Four Footprints

Here are the tracks upon the sand
Where stood last evening she and I -
Pressed heart to heart and hand to hand;
The morning sun has baked them dry.

I kissed her wet face--wet with rain,
For arid grief had burnt up tears,
While reached us as in sleeping pain
The distant gurgling of the weirs.

"I have married him--yes; feel that ring;
'Tis a week ago that he put it on . . .
A dutiful daughter does this thing,
And resignation succeeds anon!

"But that I body and soul was yours
Ere he'd possession, he'll never know.
He's a confident man. 'The husband scores,'
He says, 'in the long run' . . . Now, Dear, go!"

I went. And to-day I pass the spot;
It is only a smart the more to endure;
And she whom I held is as though she were not,
For they have resumed their honeymoon tour.

Song of Hope

O sweet To-morrow! -
After to-day
There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
Dimmed by no gray -
No gray!

While the winds wing us
Sighs from The Gone,
Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
Further anon -
Anon!

Doff the black token,
Don the red shoon,
Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
To-morrow shines soon -
Shines soon!

The Figure in the Scene

It pleased her to step in front and sit
Where the cragged slope was green,
While I stood back that I might pencil it
With her amid the scene;
Till it gloomed and rained;
But I kept on, despite the drifting wet
That fell and stained
My draught, leaving for curious quizzings yet
The blots engrained.

And thus I drew her there alone,
Seated amid the gauze
Of moisture, hooded, only her outline shown,
With rainfall marked across.
-- Soon passed our stay;
Yet her rainy form is the Genius still of the spot,
Immutable, yea,
Though the place now knows her no more, and has known her not
Ever since that day.

From an old note.

The Garden Seat

Its former green is blue and thin,
And its once firm legs sink in and in;
Soon it will break down unaware,
Soon it will break down unaware.

At night when reddest flowers are black
Those who once sat thereon come back;
Quite a row of them sitting there,
Quite a row of them sitting there.

With them the seat does not break down,
Nor winter freeze them, nor floods drown,
For they are as light as upper air,
They are as light as upper air!

On the Departure Platform

Departure Platform, Victoria Station ~ James Tissot, 1836-1902

We kissed at the barrier; and passing through
She left me, and moment by moment got
Smaller and smaller, until to my view
She was but a spot;

A wee white spot of muslin fluff
That down the diminishing platform bore
Through hustling crowds of gentle and rough
To the carriage door.

Under the lamplight's fitful glowers,
Behind dark groups from far and near,
Whose interests were apart from ours,
She would disappear,

Then show again, till I ceased to see
That flexible form, that nebulous white;
And she who was more than my life to me
Had vanished quite . . .

We have penned new plans since that fair fond day,
And in season she will appear again -
Perhaps in the same soft white array -
But never as then!

- "And why, young man, must eternally fly
A joy you'll repeat, if you love her well?"
--O friend, nought happens twice thus; why,
I cannot tell!

After Schiller

“I’m half sick of shadows, said The Lady of Shalott” – John William Waterhouse (1915)

Knight, a true sister-love
This heart retains;
Ask me no other love,
That way lie pains!

Calm must I view thee come,
Calm see thee go;
Tale-telling tears of thine
I must not know!

These lines from Hardy put me in mind of J.W. Waterhouse, and in particular his “I’m half sick of shadows…” painting completed in 1915, illustrating Tennyson’s famous lines:

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said The Lady of Shalott.

Excerpt from 'The Lady of Shalott' - Tennyson, 1842

The Rambler

I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk's throat
When eve's brown awning hoods the land.

Some say each songster, tree, and mead -
All eloquent of love divine -
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!

The Seasons of Her Year

I
Winter is white on turf and tree,
And birds are fled;
But summer songsters pipe to me,
And petals spread,
For what I dreamt of secretly
His lips have said!

II
O 'tis a fine May morn, they say,
And blooms have blown;
But wild and wintry is my day,
My birds make moan;
For he who vowed leaves me to pay
Alone--alone!

Where Three Roads Joined

Where three roads joined it was green and fair,
And over a gate was the sun-glazed sea,
And life laughed sweet when I halted there;
Yet there I never again would be.

I am sure those branchways are brooding now,
With a wistful blankness upon their face,
While the few mute passengers notice how
Spectre-beridden is the place;

Which nightly sighs like a laden soul,
And grieves that a pair, in bliss for a spell
Not far from thence, should have let it roll
Away from them down a plumbless well

While the phasm of him who fared starts up,
And of her who was waiting him sobs from near,
As they haunt there and drink the wormwood cup
They filled for themselves when their sky was clear.

Yes, I see those roads--now rutted and bare,
While over the gate is no sun-glazed sea;
And though life laughed when I halted there,
It is where I never again would be.

I Need not go

I need not go
Through sleet and snow
To where I know
She waits for me;
She will wait me there
Till I find it fair,
And have time to spare
From company.

When I've overgot
The world somewhat,
When things cost not
Such stress and strain,
Is soon enough
By cypress sough
To tell my Love
I am come again.

And if some day,
When none cries nay,
I still delay
To seek her side,
(Though ample measure
Of fitting leisure
Await my pleasure)
She will riot chide.

What--not upbraid me
That I delayed me,
Nor ask what stayed me
So long? Ah, no! -
New cares may claim me,
New loves inflame me,
She will not blame me,

Postponement

Snow-bound in woodland, a mournful word,
Dropt now and then from the bill of a bird,
Reached me on wind-wafts; and thus I heard,
Wearily waiting:-

"I planned her a nest in a leafless tree,
But the passers eyed and twitted me,
And said: 'How reckless a bird is he,
Cheerily mating!'

"Fear-filled, I stayed me till summer-tide,
In lewth of leaves to throne her bride;
But alas! her love for me waned and died,
Wearily waiting.

"Ah, had I been like some I see,
Born to an evergreen nesting-tree,
None had eyed and twitted me,
Cheerily mating!"

1866.

The Problem

Shall we conceal the Case, or tell it -
We who believe the evidence?
Here and there the watch-towers knell it
With a sullen significance,
Heard of the few who hearken intently and carry
an eagerly upstrained sense.

Hearts that are happiest hold not by it;
Better we let, then, the old view reign;
Since there is peace in it, why decry it?
Since there is comfort, why disdain?
Note not the pigment the while that the painting
determines humanity's joy and pain!

I Knew a Lady

(Club Song)

I knew a lady when the days
Grew long, and evenings goldened;
But I was not emboldened
By her prompt eyes and winning ways.

And when old Winter nipt the haws,
"Another's wife I'll be,
And then you'll care for me,"
She said, "and think how sweet I was!"

And soon she shone as another's wife:
As such I often met her,
And sighed, "How I regret her!
My folly cuts me like a knife!"

And then, to-day, her husband came,
And moaned, "Why did you flout her?
Well could I do without her!
For both our burdens you are to blame!"

The House of Hospitalities

Here we broached the Christmas barrel,
Pushed up the charred log-ends;
Here we sang the Christmas carol,
And called in friends.

Time has tired me since we met here
When the folk now dead were young,
Since the viands were outset here
And quaint songs sung.

And the worm has bored the viol
That used to lead the tune,
Rust eaten out the dial
That struck night's noon.

Now no Christmas brings in neighbours,
And the New Year comes unlit;
Where we sang the mole now labours,
And spiders knit.

Yet at midnight if here walking,
When the moon sheets wall and tree,
I see forms of old time talking,
Who smile on me.

A Christmas Ghost-Story

South of the Line, inland from far Durban,
A mouldering soldier lies--your countryman.
Awry and doubled up are his gray bones,
And on the breeze his puzzled phantom moans
Nightly to clear Canopus: "I would know
By whom and when the All-Earth-gladdening Law
Of Peace, brought in by that Man Crucified,
Was ruled to be inept, and set aside?

And what of logic or of truth appears
In tacking 'Anno Domini' to the years?
Near twenty-hundred livened thus have hied,
But tarries yet the Cause for which He died."

Christmas-eve, 1899.

The Sacrilege (V)

By night and day I shadowed her
From Toneborough Deane to Dunkery Tor,
I shadowed her asleep, astir,
And yet I could not bear -
Till Wrestler Joe anon began
To figure as her chosen man,
And took her to his shining van -
To doom a form so fair!

He made it handsome for her sake -
And Dunkery smiled to Exon Moor -
He made it handsome for her sake,
Painting it out and in;
And on the door of apple-green
A bright brass knocker soon was seen,
And window-curtains white and clean
For her to sit within.

And all could see she clave to him
As cleaves a cloud to Dunkery Tor,
Yea, all could see she clave to him,
And every day I said,
"A pity it seems to part those two
That hourly grow to love more true:
Yet she's the wanton woman who
Sent one to swing till dead!"

That blew to blazing all my hate,
While Dunkery frowned on Exon Moor,
And when the river swelled, her fate
Came to her pitilessly . . .
I dogged her, crying: "Across that plank
They use as bridge to reach yon bank
A coat and hat lie limp and dank;
Your goodman's, can they be?"

She paled, and went, I close behind -
And Exon frowned to Dunkery Tor,
She went, and I came up behind
And tipped the plank that bore
Her, fleetly flitting across to eye
What such might bode. She slid awry;
And from the current came a cry,
A gurgle; and no more.

How that befell no mortal knew
From Marlbury Downs to Exon Moor;
No mortal knew that deed undue
But he who schemed the crime,
Which night still covers . . . But in dream
Those ropes of hair upon the stream
He sees, and he will hear that scream
Until his judgment-time.

The Sacrilege (IV)

PART II

Thus did he speak--this brother of mine -
On Exon Wild by Dunkery Tor,
Born at my birth of mother of mine,
And forthwith went his way
To dare the deed some coming night...
I kept the watch with shaking sight,
The moon at moments breaking bright,
At others glooming gray.

For three full days I heard no sound
Where Dunkery frowns on Exon Moor,
I heard no sound at all around
Whether his fay prevailed,
Or one malign the master were,
Till some afoot did tidings bear
How that, for all his practised care,
He had been caught and jailed.

They had heard a crash when twelve had chimed
By Mendip east of Dunkery Tor,
When twelve had chimed and moonlight climbed;
They watched, and he was tracked
By arch and aisle and saint and knight
Of sculptured stonework sheeted white
In the cathedral's ghostly light,
And captured in the act.

Yes; for this Love he loved too well
Where Dunkery sights the Severn shore,
All for this Love he loved too well
He burst the holy bars,
Seized golden vessels from the chest
To buy her ornaments of the best,
At her ill-witchery's request
And lure of eyes like stars...

When blustering March confused the sky
In Toneborough Town by Exon Moor,
When blustering March confused the sky
They stretched him; and he died.
Down in the crowd where I, to see
The end of him, stood silently,
With a set face he lipped to me -
"Remember." "Ay!" I cried.

The Sacrilege (III)

"Whereat she pouts, this Love of mine,
As Dunkery frowns on Exon Moor,
And still she pouts, this Love of mine,
So cityward I go.
But ere I start to do the thing,
And speed my soul's imperilling
For one who is my ravishing
And all the joy I know,

"I come to lay this charge on thee -
On Exon Wild by Dunkery Tor -
I come to lay this charge on thee
With solemn speech and sign:
Should things go ill, and my life pay
For botchery in this rash assay,
You are to take hers likewise--yea,
The month the law takes mine.

"For should my rival, Wrestler Joe,
Where Dunkery frowns on Exon Moor -
My reckless rival, Wrestler Joe,
My Love's possessor be,
My tortured spirit would not rest,
But wander weary and distrest
Throughout the world in wild protest:
The thought nigh maddens me!"

(tbc)

The Sacrilege (II)

"And as she drowsed within my van
On Exon Wild by Dunkery Tor -
And as she drowsed within my van,
And dawning turned to day,
She heavily raised her sloe-black eyes
And murmured back in softest wise,
'One more thing, and the charms you prize
Are yours henceforth for aye.

"'And swear I will I'll never go
While Dunkery frowns on Exon Moor
To meet the Cornish Wrestler Joe
For dance and dallyings.
If you'll to yon cathedral shrine,
And finger from the chest divine
Treasure to buy me ear-drops fine,
And richly jewelled rings.'

"I said: 'I am one who has gathered gear
From Marlbury Downs to Dunkery Tor,
Who has gathered gear for many a year
From mansion, mart and fair;
But at God's house I've stayed my hand,
Hearing within me some command -
Curbed by a law not of the land
From doing damage there.'

(tbc)