Drawing Details in an Old Church

I hear the bell-rope sawing,
And the oil-less axle grind,
As I sit alone here drawing
What some Gothic brain designed;
And I catch the toll that follows
From the lagging bell,
Ere it spreads to hills and hollows
Where the parish people dwell.

I ask not whom it tolls for,
Incurious who he be;
So, some morrow, when those knolls for
One unguessed, sound out for me,
A stranger, loitering under
In nave or choir,
May think, too, "Whose, I wonder?"
But care not to inquire.

Shut out that Moon

Close up the casement, draw the blind,
Shut out that stealing moon,
She wears too much the guise she wore
Before our lutes were strewn
With years-deep dust, and names we read
On a white stone were hewn.

Step not out on the dew-dashed lawn
To view the Lady's Chair,
Immense Orion's glittering form,
The Less and Greater Bear:
Stay in; to such sights we were drawn
When faded ones were fair.

Brush not the bough for midnight scents
That come forth lingeringly,
And wake the same sweet sentiments
They breathed to you and me
When living seemed a laugh, and love
All it was said to be.

Within the common lamp-lit room
Prison my eyes and thought;
Let dingy details crudely loom,
Mechanic speech be wrought:
Too fragrant was Life's early bloom,
Too tart the fruit it brought!

1904.

A Gentleman's Epitaph on himself and a lady, who were buried together

I dwelt in the shade of a city,
She far by the sea,
With folk perhaps good, gracious, witty;
But never with me.

Her form on the ballroom's smooth flooring
I never once met,
To guide her with accents adoring
Through Weippert's "First Set."

I spent my life's seasons with pale ones
In Vanity Fair,
And she enjoyed hers among hale ones
In salt-smelling air.

Maybe she had eyes of deep colour,
Maybe they were blue,
Maybe as she aged they got duller;
That never I knew.

She may have had lips like the coral,
But I never kissed them,
Saw pouting, nor curling in quarrel,
Nor sought for, nor missed them.

Not a word passed of love all our lifetime,
Between us, nor thrill;
We'd never a husband-and-wife time,
For good or for ill.

Yet as one dust, through bleak days and vernal,
Lie I and lies she,
This never-known lady, eternal
Companion to me!

First sight of her and after

A day is drawing to its fall
I had not dreamed to see;
The first of many to enthrall
My spirit, will it be?
Or is this eve the end of all
Such new delight for me?

I journey home: the pattern grows
Of moonshades on the way:
"Soon the first quarter, I suppose,"
Sky-glancing travellers say;
I realize that it, for those,
Has been a common day.

The Sigh (excerpt)

Little head against my shoulder,
Shy at first, then somewhat bolder,
And up-eyed;
Till she, with a timid quaver,
Yielded to the kiss I gave her;
But, she sighed.

That there mingled with her feeling
Some sad thought she was concealing
It implied.
- Not that she had ceased to love me,
None on earth she set above me;
But she sighed.

She could not disguise a passion,
Dread, or doubt, in weakest fashion
If she tried:
Nothing seemed to hold us sundered,
Hearts were victors; so I wondered
Why she sighed.

The Seasons of Her Year

I
Winter is white on turf and tree,
And birds are fled;
But summer songsters pipe to me,
And petals spread,
For what I dreamt of secretly
His lips have said!

II
O 'tis a fine May morn, they say,
And blooms have blown;
But wild and wintry is my day,
My birds make moan;
For he who vowed leaves me to pay
Alone--alone!

Starlings on the Roof

[Image: 'Sky full of starlings' by Carry Akroyd]

"No smoke spreads out of this chimney-pot,
The people who lived here have left the spot,
And others are coming who knew them not.

If you listen anon, with an ear intent,
The voices, you'll find, will be different
From the well-known ones of those who went."

"Why did they go? Their tones so bland
Were quite familiar to our band;
The comers we shall not understand."

"They look for a new life, rich and strange;
They do not know that, let them range
Wherever they may, they will get no change.

"They will drag their house-gear ever so far
In their search for a home no miseries mar;
They will find that as they were they are,

"That every hearth has a ghost, alack,
And can be but the scene of a bivouac
Till they move perforce--no time to pack!"

Read by Moonlight

I paused to read a letter of hers
By the moon's cold shine,
Eyeing it in the tenderest way,
And edging it up to catch each ray
Upon her light-penned line.
I did not know what years would flow
Of her life's span and mine
Ere I read another letter of hers
By the moon's cold shine!

I chance now on the last of hers,
By the moon's cold shine;
It is the one remaining page
Out of the many shallow and sage
Whereto she set her sign.
Who could foresee there were to be
Such letters of pain and pine
Ere I should read this last of hers
By the moon's cold shine!

The Difference


I
Sinking down by the gate I discern the thin moon,
And a blackbird tries over old airs in the pine,
But the moon is a sorry one, sad the bird's tune,
For this spot is unknown to that Heartmate of mine.

II
Did my Heartmate but haunt here at times such as now,
The song would be joyous and cheerful the moon;
But she will see never this gate, path, or bough,
Nor I find a joy in the scene or the tune.

I was not he (Song)

I was not he--the man
Who used to pilgrim to your gate,
At whose smart step you grew elate,
And rosed, as maidens can,
For a brief span.

It was not I who sang
Beside the keys you touched so true
With note-bent eyes, as if with you
It counted not whence sprang
The voice that rang . . .

Yet though my destiny
It was to miss your early sweet,
You still, when turned to you my feet,
Had sweet enough to be
A prize for me!

Rose-Ann

Why didn't you say you was promised, Rose-Ann?
Why didn't you name it to me,
Ere ever you tempted me hither, Rose-Ann,
So often, so wearifully?

O why did you let me be near 'ee, Rose-Ann,
Talking things about wedlock so free,
And never by nod or by whisper, Rose-Ann,
Give a hint that it wasn't to be?

Down home I was raising a flock of stock ewes,
Cocks and hens, and wee chickens by scores,
And lavendered linen all ready to use,
A-dreaming that they would be yours.

Mother said: "She's a sport-making maiden, my son";
And a pretty sharp quarrel had we;
O why do you prove by this wrong you have done
That I saw not what mother could see?

Never once did you say you was promised, Rose-Ann,
Never once did I dream it to be;
And it cuts to the heart to be treated, Rose-Ann,
As you in your scorning treat me!

The Sleep-Worker

When wilt thou wake, O Mother, wake and see -
As one who, held in trance, has laboured long
By vacant rote and prepossession strong -
The coils that thou hast wrought unwittingly;

Wherein have place, unrealized by thee,
Fair growths, foul cankers, right enmeshed with wrong,
Strange orchestras of victim-shriek and song,
And curious blends of ache and ecstasy? -

Should that morn come, and show thy opened eyes
All that Life's palpitating tissues feel,
How wilt thou bear thyself in thy surprise? -

Wilt thou destroy, in one wild shock of shame,
Thy whole high heaving firmamental frame,
Or patiently adjust, amend, and heal?

The Riddle

I
Stretching eyes west
Over the sea,
Wind foul or fair,
Always stood she
Prospect-impressed;
Solely out there
Did her gaze rest,
Never elsewhere
Seemed charm to be.

II
Always eyes east
Ponders she now -
As in devotion -
Hills of blank brow
Where no waves plough.
Never the least
Room for emotion
Drawn from the ocean
Does she allow.

A Sound in the Night (2 of 2)

She listened as she lay, till she heard his step returning,
And his voice as he unclothed him: "'Twas nothing, as I said,
But the nor'-west wind a-blowing from the moor ath'art the river,
And the tree that taps the gurgoyle-head."

"Nay, husband, you perplex me; for if the noise I heard here,
Awaking me from sleep so, were but as you avow,
The rain-fall, and the wind, and the tree-bough, and the river,
Why is it silent now?

"And why is thy hand and thy clasping arm so shaking,
And thy sleeve and tags of hair so muddy and so wet,
And why feel I thy heart a-thumping every time thou kissest me,
And thy breath as if hard to get?"

He lay there in silence for a while, still quickly breathing,
Then started up and walked about the room resentfully:
"O woman, witch, whom I, in sooth, against my will have wedded,
Why castedst thou thy spells on me?

"There was one I loved once: the cry you heard was her cry:
She came to me to-night, and her plight was passing sore,
As no woman . . . Yea, and it was e'en the cry you heard, wife,
But she will cry no more!

"And now I can't abide thee: this place, it hath a curse on't,
This farmstead once a castle: I'll get me straight away!"
He dressed this time in darkness, unspeaking, as she listened,
And went ere the dawn turned day.

They found a woman's body at a spot called Rocky Shallow,
Where the Froom stream curves amid the moorland, washed aground,
And they searched about for him, the yeoman, who had darkly known
her,
But he could not be found.

And the bride left for good-and-all the farmstead once a castle,
And in a county far away lives, mourns, and sleeps alone,
And thinks in windy weather that she hears a woman crying,
And sometimes an infant's moan.

A Sound in the Night (1 of 2)

WOODSFORD CASTLE: 17-)

"What do I catch upon the night-wind, husband? -
What is it sounds in this house so eerily?
It seems to be a woman's voice: each little while I hear it,
And it much troubles me!"

"'Tis but the eaves dripping down upon the plinth-slopes:
Letting fancies worry thee!--sure 'tis a foolish thing,
When we were on'y coupled half-an-hour before the noontide,
And now it's but evening."

"Yet seems it still a woman's voice outside the castle, husband,
And 'tis cold to-night, and rain beats, and this is a lonely place.
Didst thou fathom much of womankind in travel or adventure
Ere ever thou sawest my face?"

"It may be a tree, bride, that rubs his arms acrosswise,
If it is not the eaves-drip upon the lower slopes,
Or the river at the bend, where it whirls about the hatches
Like a creature that sighs and mopes."

"Yet it still seems to me like the crying of a woman,
And it saddens me much that so piteous a sound
On this my bridal night when I would get agone from sorrow
Should so ghost-like wander round!"

"To satisfy thee, Love, I will strike the flint-and-steel, then,
And set the rush-candle up, and undo the door,
And take the new horn-lantern that we bought upon our journey,
And throw the light over the moor."

He struck a light, and breeched and booted in the further chamber,
And lit the new horn-lantern and went from her sight,
And vanished down the turret; and she heard him pass the postern,
And go out into the night.

The Division

Rain on the windows, creaking doors,
With blasts that besom the green,
And I am here, and you are there,
And a hundred miles between!

O were it but the weather, Dear,
O were it but the miles
That summed up all our severance,
There might be room for smiles.

But that thwart thing betwixt us twain,
Which nothing cleaves or clears,
Is more than distance, Dear, or rain,
And longer than the years!

1893.

Often When Warring

Often when warring for he wist not what,
An enemy-soldier, passing by one weak,
Has tendered water, wiped the burning cheek,
And cooled the lips so black and clammed and hot;

Then gone his way, and maybe quite forgot
The deed of grace amid the roar and reek;
Yet larger vision than loud arms bespeak
He there has reached, although he has known it not.

For natural mindsight, triumphing in the act
Over the throes of artificial rage,
Has thuswise muffled victory's peal of pride,
Rended to ribands policy's specious page
That deals but with evasion, code, and pact,
And war's apology wholly stultified.

1915.

In a Wood (see "The Woodlanders")

[Wild Service Tree]


Pale beech and pine-tree blue,
Set in one clay,
Bough to bough cannot you
Bide out your day?
When the rains skim and skip,
Why mar sweet comradeship,
Blighting with poison-drip
Neighbourly spray?

Heart-halt and spirit-lame,
City-opprest,
Unto this wood I came
As to a nest;
Dreaming that sylvan peace
Offered the harrowed ease--
Nature a soft release
From men's unrest.

But, having entered in,
Great growths and small
Show them to men akin -
Combatants all!
Sycamore shoulders oak,
Bines the slim sapling yoke,
Ivy-spun halters choke
Elms stout and tall.

Touches from ash, O wych,
Sting you like scorn!
You, too, brave hollies, twitch
Sidelong from thorn.
Even the rank poplars bear
Illy a rival's air,
Cankering in black despair
If overborne.

Since, then, no grace I find
Taught me of trees,
Turn I back to my kind,
Worthy as these.
There at least smiles abound,
There discourse trills around,
There, now and then, are found
Life-loyalties.

Tess's Lament

I
I would that folk forgot me quite,
Forgot me quite!
I would that I could shrink from sight,
And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
Of my day's work as done.

II
Ah! dairy where I lived so long,
I lived so long;
Where I would rise up stanch and strong,
And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat -
Loved me, and learnt to call me sweet,
And whispered words to me.

III
And now he's gone; and now he's gone; . . .
And now he's gone!
The flowers we potted p'rhaps are thrown
To rot upon the farm.
And where we had our supper-fire
May now grow nettle, dock, and briar,
And all the place be mould and mire
So cozy once and warm.

IV
And it was I who did it all,
Who did it all;
'Twas I who made the blow to fall
On him who thought no guile.
Well, it is finished--past, and he
Has left me to my misery,
And I must take my Cross on me
For wronging him awhile.

V
How gay we looked that day we wed,
That day we wed!
"May joy be with ye!" all o'm said
A standing by the durn.
I wonder what they say o's now,
And if they know my lot; and how
She feels who milks my favourite cow,
And takes my place at churn!

VI
It wears me out to think of it,
To think of it;
I cannot bear my fate as writ,
I'd have my life unbe;
Would turn my memory to a blot,
Make every relic of me rot,
My doings be as they were not,
And what they've brought to me!

The Woman I Met (II)

"I said: 'It is his mother's spirit
Hovering around
To shield him, maybe!' I used to fear it,
As still I found
My beauty left no least impression,
And remnants of pride withheld confession
Of my true trade
By speaking; so I delayed.

"I said: 'Perhaps with a costly flower
He'll be beguiled.'
I held it, in passing you one late hour,
To your face: you smiled,
Keeping step with the throng; though you did not see there
A single one that rivalled me there! . . .
Well: it's all past.
I died in the Lock at last."

So walked the dead and I together
The quick among,
Elbowing our kind of every feather
Slowly and long;
Yea, long and slowly. That a phantom should stalk there
With me seemed nothing strange, and talk there
That winter night
By flaming jets of light.

She showed me Juans who feared their call-time,
Guessing their lot;
She showed me her sort that cursed their fall-time,
And that did not.
Till suddenly murmured she: "Now, tell me,
Why asked you never, ere death befell me,
To have my love,
Much as I dreamt thereof?"

I could not answer. And she, well weeting
All in my heart,
Said: "God your guardian kept our fleeting
Forms apart!"
Sighing and drawing her furs around her
Over the shroud that tightly bound her,
With wafts as from clay
She turned and thinned away.

LONDON, 1918.