Thomas Hardy

Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.

To Life

O life with the sad seared face,
I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
And thy too-forced pleasantry!

I know what thou would'st tell
Of Death, Time, Destiny -
I have known it long, and know, too, well
What it all means for me.

But canst thou not array
Thyself in rare disguise,
And feign like truth, for one mad day,
That Earth is Paradise?

I'll tune me to the mood,
And mumm with thee till eve;
And maybe what as interlude
I feign, I shall believe!

The House of Hospitalities

Here we broached the Christmas barrel,
Pushed up the charred log-ends;
Here we sang the Christmas carol,
And called in friends.

Time has tired me since we met here
When the folk now dead were young,
Since the viands were outset here
And quaint songs sung.

And the worm has bored the viol
That used to lead the tune,
Rust eaten out the dial
That struck night's noon.

Now no Christmas brings in neighbours,
And the New Year comes unlit;
Where we sang the mole now labours,
And spiders knit.

Yet at midnight if here walking,
When the moon sheets wall and tree,
I see forms of old time talking,
Who smile on me.

On the Doorstep

The rain imprinted the step's wet shine
With target-circles that quivered and crossed
As I was leaving this porch of mine;
When from within there swelled and paused
A song's sweet note;
And back I turned, and thought,
"Here I'll abide."

The step shines wet beneath the rain,
Which prints its circles as heretofore;
I watch them from the porch again,
But no song-notes within the door
Now call to me
To shun the dripping lea
And forth I stride.

Jan. 1914.

Amabel

I marked her ruined hues,
Her custom-straitened views,
And asked, "Can there indwell
My Amabel?"

I looked upon her gown,
Once rose, now earthen brown;
The change was like the knell
Of Amabel.

Her step's mechanic ways
Had lost the life of May's;
Her laugh, once sweet in swell,
Spoilt Amabel.

I mused: "Who sings the strain
I sang ere warmth did wane?
Who thinks its numbers spell
His Amabel?" -

Knowing that, though Love cease,
Love's race shows undecrease;
All find in dorp or dell
An Amabel.

- I felt that I could creep
To some housetop, and weep,
That Time the tyrant fell
Ruled Amabel!

I said (the while I sighed
That love like ours had died),
"Fond things I'll no more tell
To Amabel,

"But leave her to her fate,
And fling across the gate,
'Till the Last Trump, farewell,
O Amabel!'"

1865.

Moments of Vision

That mirror
Which makes of men a transparency,
Who holds that mirror
And bids us such a breast-bare spectacle see
Of you and me?

That mirror
Whose magic penetrates like a dart,
Who lifts that mirror
And throws our mind back on us, and our heart,
Until we start?

That mirror
Works well in these night hours of ache;
Why in that mirror
Are tincts we never see ourselves once take
When the world is awake?

That mirror
Can test each mortal when unaware;
Yea, that strange mirror
May catch his last thoughts, whole life foul or fair,
Glassing it--where?

Neutral Tones (excerpt)

We stood by a pond that winter day,
And the sun was white, as though chidden of God,
And a few leaves lay on the starving sod,
- They had fallen from an ash, and were gray.

Your eyes on me were as eyes that rove
Over tedious riddles solved years ago;
And some words played between us to and fro -
On which lost the more by our love.

The smile on your mouth was the deadest thing
Alive enough to have strength to die;
And a grin of bitterness swept thereby
Like an ominous bird a-wing ...

John and Jane

I
He sees the world as a boisterous place
Where all things bear a laughing face,
And humorous scenes go hourly on,
Does John.

II
They find the world a pleasant place
Where all is ecstasy and grace,
Where a light has risen that cannot wane,
Do John and Jane.

III
They see as a palace their cottage-place,
Containing a pearl of the human race,
A hero, maybe, hereafter styled,
Do John and Jane with a baby-child.

IV
They rate the world as a gruesome place,
Where fair looks fade to a skull's grimace, -
As a pilgrimage they would fain get done -
Do John and Jane with their worthless son.

The Problem

Shall we conceal the Case, or tell it -
We who believe the evidence?
Here and there the watch-towers knell it
With a sullen significance,
Heard of the few who hearken intently and carry an eagerly upstrained sense.

Hearts that are happiest hold not by it;
Better we let, then, the old view reign;
Since there is peace in it, why decry it?
Since there is comfort, why disdain?
Note not the pigment the while that the painting determines humanity's joy and pain!

To Lizbie Browne (excerpt)

I
Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?

II
Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!

III
And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?

The Woman in the Rye

"Why do you stand in the dripping rye,
Cold-lipped, unconscious, wet to the knee,
When there are firesides near?" said I.
"I told him I wished him dead," said she.

"Yea, cried it in my haste to one
Whom I had loved, whom I well loved still;
And die he did. And I hate the sun,
And stand here lonely, aching, chill;

"Stand waiting, waiting under skies
That blow reproach, the while I see
The rooks sheer off to where he lies
Wrapt in a peace withheld from me."

To Carrey Clavel

You turn your back, you turn your back,
And never your face to me,
Alone you take your homeward track,
And scorn my company.

What will you do when Charley's seen
Dewbeating down this way?
- You'll turn your back as now, you mean?
Nay, Carrey Clavel, nay!

You'll see none's looking; put your lip
Up like a tulip, so;
And he will coll you, bend, and sip:
Yes, Carrey, yes; I know!

Autumn in King's Hintock Park

Here by the baring bough
Raking up leaves,
Often I ponder how
Springtime deceives, -
I, an old woman now,
Raking up leaves.

Here in the avenue
Raking up leaves,
Lords' ladies pass in view,
Until one heaves
Sighs at life's russet hue,
Raking up leaves!

Just as my shape you see
Raking up leaves,
I saw, when fresh and free,
Those memory weaves
Into grey ghosts by me,
Raking up leaves.

Yet, Dear, though one may sigh,
Raking up leaves,
New leaves will dance on high -
Earth never grieves! -
Will not, when missed am I
Raking up leaves.

1901.

from "The Mother Mourns"

When mid-autumn's moan shook the night-time,
And sedges were horny,
And summer's green wonderwork faltered
On leaze and in lane,

I fared Yell'ham-Firs way, where dimly
Came wheeling around me
Those phantoms obscure and insistent
That shadows unchain.

Till airs from the needle-thicks brought me
A low lamentation,
As 'twere of a tree-god disheartened,
Perplexed, or in pain.

And, heeding, it awed me to gather
That Nature herself there
Was breathing in aerie accents,
With dirgeful refrain...

Where they Lived

Dishevelled leaves creep down
Upon that bank to-day,
Some green, some yellow, and some pale brown;
The wet bents bob and sway;
The once warm slippery turf is sodden
Where we laughingly sat or lay.

The summerhouse is gone,
Leaving a weedy space;
The bushes that veiled it once have grown
Gaunt trees that interlace,
Through whose lank limbs I see too clearly
The nakedness of the place.

And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, "Come in, Dears,"
Time calls, "Pass below!"

from "A Commonplace Day"

Nothing of tiniest worth
Have I wrought, pondered, planned; no one thing asking blame or
praise,
Since the pale corpse-like birth
Of this diurnal unit, bearing blanks in all its rays -
Dullest of dull-hued Days!

Wanly upon the panes
The rain slides as have slid since morn my colourless thoughts; and
yet
Here, while Day's presence wanes,
And over him the sepulchre-lid is slowly lowered and set,
He wakens my regret.

On a fine morning

I
Whence comes Solace? -- Not from seeing
What is doing, suffering, being,
Not from noting Life's conditions,
Nor from heeding Time's monitions;
But in cleaving to the Dream,
And in gazing at the gleam
Whereby gray things golden seem.

II
Thus do I this heyday, holding
Shadows but as lights unfolding,
As no specious show this moment
With its irised embowment;
But as nothing other than
Part of a benignant plan;
Proof that earth was made for man.

February 1899.

Autumn in King's Hintock Park

Regret not Me

Regret not me;
Beneath the sunny tree
I lie uncaring, slumbering peacefully.

Swift as the light
I flew my faery flight;
Ecstatically I moved, and feared no night.

I did not know
That heydays fade and go,
But deemed that what was would be always so.

I skipped at morn
Between the yellowing corn,
Thinking it good and glorious to be born.

I ran at eves
Among the piled-up sheaves,
Dreaming, "I grieve not, therefore nothing grieves."

Now soon will come
The apple, pear, and plum
And hinds will sing, and autumn insects hum.

Again you will fare
To cider-makings rare,
And junketings; but I shall not be there.

Yet gaily sing
Until the pewter ring
Those songs we sang when we went gipsying.

And lightly dance
Some triple-timed romance
In coupled figures, and forget mischance;

And mourn not me
Beneath the yellowing tree;
For I shall mind not, slumbering peacefully.

The Chimes Play "Life's a Bumper"

"Awake! I'm off to cities far away,"
I said; and rose, on peradventures bent.
The chimes played "Life's a Bumper!" on that day
To the measure of my walking as I went:
Their sweetness frisked and floated on the lea,
As they played out "Life's a Bumper!" there to me.

"Awake!" I said. "I go to take a bride!"
--The sun arose behind me ruby-red
As I journeyed townwards from the countryside,
The chiming bells saluting near ahead.
Their sweetness swelled in tripping tings of glee
As they played out "Life's a Bumper!" there to me.

"Again arise." I seek a turfy slope,
And go forth slowly on an autumn noon,
And there I lay her who has been my hope,
And think, "O may I follow hither soon!"
While on the wind the chimes come cheerily,
Playing out "Life's a Bumper!" there to me.

1913.

The Little Old Table

Creak, little wood thing, creak,
When I touch you with elbow or knee;
That is the way you speak
Of one who gave you to me!

You, little table, she brought -
Brought me with her own hand,
As she looked at me with a thought
That I did not understand.

- Whoever owns it anon,
And hears it, will never know
What a history hangs upon
This creak from long ago.