Hardy's works take place in Wessex (named after the Anglo-Saxon kingdom which existed in the area). One of his distinctive achievements is to have captured the cultural atmosphere of rural Wessex in the golden epoch that existed just before the coming of the railways and the agricultural and industrial revolutions that were to change the English countryside for ever. His works are often deeply pessimistic and full of bitter irony, in sharp contrast to the prevalent Victorian optimism.
Her Song
I sang that song on Sunday,To witch an idle while,
I sang that song on Monday,
As fittest to beguile;
I sang it as the year outwore,
And the new slid in;
I thought not what might shape before
Another would begin.
I sang that song in summer,
All unforeknowingly,
To him as a new-comer
From regions strange to me:
I sang it when in afteryears
The shades stretched out,
And paths were faint; and flocking fears
Brought cup-eyed care and doubt.
Sings he that song on Sundays
In some dim land afar,
On Saturdays, or Mondays,
As when the evening star
Glimpsed in upon his bending face
And my hanging hair,
And time untouched me with a trace
Of soul-smart or despair?
Her Father
Where passing feet beat busily:
She whispered: "Father is at hand!
He wished to walk with me."
His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
What Love must lose that day.
Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
Embarrassed, stiff, and cold.
A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
As of no worth at all?
"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
Of Time, and wrack, and foes."
WEYMOUTH.
In the Garden
To break its cloudy prison
(For day was not yet done,
And night still unbegun)
Leaning by the dial.
After many a trial -
We all silent there -
It burst as new-arisen,
Throwing a shade to where
Time travelled at that minute.
Little saw we in it,
But this much I know,
Of lookers on that shade,
Her towards whom it made
Soonest had to go.
The House of Silence
That house in the trees with the shady lawn."
"--If, child, you knew what there goes on
You would not call it a quiet place.
Why, a phantom abides there, the last of its race,
And a brain spins there till dawn."
"But I see nobody there, -
Nobody moves about the green,
Or wanders the heavy trees between."
"--Ah, that's because you do not bear
The visioning powers of souls who dare
To pierce the material screen.
"Morning, noon, and night,
Mid those funereal shades that seem
The uncanny scenery of a dream,
Figures dance to a mind with sight,
And music and laughter like floods of light
Make all the precincts gleam.
"It is a poet's bower,
Through which there pass, in fleet arrays,
Long teams of all the years and days,
Of joys and sorrows, of earth and heaven,
That meet mankind in its ages seven,
An aion in an hour."
A Poet
Attentive eyes, fantastic heed,Assessing minds, he does not need,
Nor urgent writs to sup or dine,
Nor pledges in the roseate wine.
For loud acclaim he does not care
By the august or rich or fair,
Nor for smart pilgrims from afar,
Curious on where his hauntings are.
But soon or later, when you hear
That he has doffed this wrinkled gear,
Some evening, at the first star-ray,
Come to his graveside, pause and say:
"Whatever the message his to tell,
Two bright-souled women loved him well."
Stand and say that amid the dim:
It will be praise enough for him.
July 1914.
Mismet
IHe was leaning by a face,
He was looking into eyes,
And he knew a trysting-place,
And he heard seductive sighs;
But the face,
And the eyes,
And the place,
And the sighs,
Were not, alas, the right ones--the ones meet for him -
Though fine and sweet the features, and the feelings all abrim.
II
She was looking at a form,
She was listening for a tread,
She could feel a waft of charm
When a certain name was said;
But the form,
And the tread,
And the charm
Of name said,
Were the wrong ones for her, and ever would be so,
While the heritor of the right it would have saved her soul to know!
The Discovery
I wandered to a crude coastLike a ghost;
Upon the hills I saw fires -
Funeral pyres
Seemingly--and heard breaking
Waves like distant cannonades that set the land shaking.
And so I never once guessed
A Love-nest,
Bowered and candle-lit, lay
In my way,
Till I found a hid hollow,
Where I burst on her my heart could not but follow.
After the War
Last Post soundedAcross the mead
To where he loitered
With absent heed.
Five years before
In the evening there
Had flown that call
To him and his Dear.
"You'll never come back;
Good-bye!" she had said;
"Here I'll be living,
And my Love dead!"
Those closing minims
Had been as shafts darting
Through him and her pressed
In that last parting;
They thrilled him not now,
In the selfsame place
With the selfsame sun
On his war-seamed face.
"Lurks a god's laughter
In this?" he said,
"That I am the living
And she the dead!"
Her Confession
As some bland soul, to whom a debtor says"I'll now repay the amount I owe to you,"
In inward gladness feigns forgetfulness
That such a payment ever was his due
(His long thought notwithstanding), so did I
At our last meeting waive your proffered kiss
With quick divergent talk of scenery nigh,
By such suspension to enhance my bliss.
And as his looks in consternation fall
When, gathering that the debt is lightly deemed,
The debtor makes as not to pay at all,
So faltered I, when your intention seemed
Converted by my false uneagerness
To putting off for ever the caress.
W. P. V., 1865-67.
Exeunt Omnes
IEverybody else, then, going,
And I still left where the fair was? . . .
Much have I seen of neighbour loungers
Making a lusty showing,
Each now past all knowing.
II
There is an air of blankness
In the street and the littered spaces;
Thoroughfare, steeple, bridge and highway
Wizen themselves to lankness;
Kennels dribble dankness.
III
Folk all fade. And whither,
As I wait alone where the fair was?
Into the clammy and numbing night-fog
Whence they entered hither.
Soon do I follow thither!
June 2, 1913.
The Levelled Churchyard
"O passenger, pray list and catchOur sighs and piteous groans,
Half stifled in this jumbled patch
Of wrenched memorial stones!
"We late-lamented, resting here,
Are mixed to human jam,
And each to each exclaims in fear,
'I know not which I am!'
"The wicked people have annexed
The verses on the good;
A roaring drunkard sports the text
Teetotal Tommy should!
"Where we are huddled none can trace,
And if our names remain,
They pave some path or p-ing place
Where we have never lain!
"There's not a modest maiden elf
But dreads the final Trumpet,
Lest half of her should rise herself,
And half some local strumpet!
"From restorations of Thy fane,
From smoothings of Thy sward,
From zealous Churchmen's pick and plane
Deliver us O Lord! Amen!"
1882.
"The Levelled Churchyard" was written in 1882 while Hardy and Emma were living in Winborne, and it appears to refer specifically to Winborne Minster. The manuscript originally bore a subtitle: "W------- Minster". Michael Millgate explains that Hardy, while cooperating with the Society for the Protection of Ancient Buildings, "offered, in particular, to keep a watchful eye on work being done on Winborne Minster" The germ of the poem -- with the scattered parts of the disinterred bodies -- may have come from an experience twenty years earlier. In The Early Life, Hardy recounts being involved with the overseeing of churchyards that were being cut through by railroad companies. His employer, Arthur Blomfield, described "returning from visiting the site on which all the bodies were said by the railway companies to be reinterred; but there appeared to be nothing deposited, the surface of the ground quite level as before" In order to make sure the bodies were actually buried properly, Hardy was asked to check one such job at irregular intervals. One evening, accompanied by Blomfield, he watched as a coffin fell apart. Out dropped a skeleton and two skulls. When years later he met Arthur Blomfield again, "among the latter's first words were: 'Do you remember how we found the man with two heads at St. Pancras?'"
John Gould – Hardy Forum Archive (2001)
The Market-Girl
as she stood on the causey kerb,
All eager to sell her honey and apples
All eager to sell her honey and apples
and bunches of garden herb;
And if she had offered to give her wares
And if she had offered to give her wares
and herself with them too that day,
I doubt if a soul would have cared
I doubt if a soul would have cared
to take a bargain so choice away.
But chancing to trace her sunburnt grace
But chancing to trace her sunburnt grace
that morning as I passed nigh,
I went and I said "Poor maidy dear!
I went and I said "Poor maidy dear!
--and will none of the people buy?"
And so it began; and soon we knew
And so it began; and soon we knew
what the end of it all must be,
And I found that though no others had bid,
And I found that though no others had bid,
a prize had been won by me.
Why Be At Pains
Why be at pains that I should know
You sought not me?
Do breezes, then, make features glow
So rosily?
Come, the lit port is at our back,
And the tumbling sea;
Elsewhere the lampless uphill track
To uncertainty!
O should not we two waifs join hands?
I am alone,
You would enrich me more than lands
By being my own.
Yet, though this facile moment flies,
Close is your tone,
And ere to-morrow's dewfall dries
I plough the unknown.
The Pine Planters
(MARTY SOUTH'S REVERIE)II
From the bundle at hand here
I take each tree,
And set it to stand, here
Always to be;
When, in a second,
As if from fear
Of Life unreckoned
Beginning here,
It starts a sighing
Through day and night,
Though while there lying
'Twas voiceless quite.
It will sigh in the morning,
Will sigh at noon,
At the winter's warning,
In wafts of June;
Grieving that never
Kind Fate decreed
It should for ever
Remain a seed,
And shun the welter
Of things without,
Unneeding shelter
From storm and drought.
Thus, all unknowing
For whom or what
We set it growing
In this bleak spot,
It still will grieve here
Throughout its time,
Unable to leave here,
Or change its clime;
Or tell the story
Of us to-day
When, halt and hoary,
We pass away.
From the bundle at hand here
I take each tree,
And set it to stand, here
Always to be;
When, in a second,
As if from fear
Of Life unreckoned
Beginning here,
It starts a sighing
Through day and night,
Though while there lying
'Twas voiceless quite.
It will sigh in the morning,
Will sigh at noon,
At the winter's warning,
In wafts of June;
Grieving that never
Kind Fate decreed
It should for ever
Remain a seed,
And shun the welter
Of things without,
Unneeding shelter
From storm and drought.
Thus, all unknowing
For whom or what
We set it growing
In this bleak spot,
It still will grieve here
Throughout its time,
Unable to leave here,
Or change its clime;
Or tell the story
Of us to-day
When, halt and hoary,
We pass away.
The Pine Planters
(MARTY SOUTH'S REVERIE)I
We work here together
In blast and breeze;
He fills the earth in,
I hold the trees.
He does not notice
That what I do
Keeps me from moving
And chills me through.
He has seen one fairer
I feel by his eye,
Which skims me as though
I were not by.
And since she passed here
He scarce has known
But that the woodland
Holds him alone.
I have worked here with him
Since morning shine,
He busy with his thoughts
And I with mine.
I have helped him so many,
So many days,
But never win any
Small word of praise!
Shall I not sigh to him
That I work on
Glad to be nigh to him
Though hope is gone?
Nay, though he never
Knew love like mine,
I'll bear it ever
And make no sign!
(I of II)
"If it's ever Spring again" (Song)
[Image: Chris Spracklen]If it's ever spring again,
Spring again,
I shall go where went I when
Down the moor-cock splashed, and hen,
Seeing me not, amid their flounder,
Standing with my arm around her;
If it's ever spring again,
Spring again,
I shall go where went I then.
If it's ever summer-time,
Summer-time,
With the hay crop at the prime,
And the cuckoos--two--in rhyme,
As they used to be, or seemed to,
We shall do as long we've dreamed to,
If it's ever summer-time,
Summer-time,
With the hay, and bees achime.
Spring again,
I shall go where went I when
Down the moor-cock splashed, and hen,
Seeing me not, amid their flounder,
Standing with my arm around her;
If it's ever spring again,
Spring again,
I shall go where went I then.
If it's ever summer-time,
Summer-time,
With the hay crop at the prime,
And the cuckoos--two--in rhyme,
As they used to be, or seemed to,
We shall do as long we've dreamed to,
If it's ever summer-time,
Summer-time,
With the hay, and bees achime.
By the Barrows
Not far from Mellstock--so tradition saith -
Where barrows, bulging as they bosoms were
Of Multimammia stretched supinely there,
Catch night and noon the tempest's wanton breath,
A battle, desperate doubtless unto death,
Was one time fought. The outlook, lone and bare,
The towering hawk and passing raven share,
And all the upland round is called "The He'th."
Here once a woman, in our modern age,
Fought singlehandedly to shield a child -
One not her own--from a man's senseless rage.
And to my mind no patriots' bones there piled
So consecrate the silence as her deed
Of stoic and devoted self-unheed.
Where barrows, bulging as they bosoms were
Of Multimammia stretched supinely there,
Catch night and noon the tempest's wanton breath,
A battle, desperate doubtless unto death,
Was one time fought. The outlook, lone and bare,
The towering hawk and passing raven share,
And all the upland round is called "The He'th."
Here once a woman, in our modern age,
Fought singlehandedly to shield a child -
One not her own--from a man's senseless rage.
And to my mind no patriots' bones there piled
So consecrate the silence as her deed
Of stoic and devoted self-unheed.
God's Education
I saw him steal the light awayThat haunted in her eye:
It went so gently none could say
More than that it was there one day
And missing by-and-by.
I watched her longer, and he stole
Her lily tincts and rose;
All her young sprightliness of soul
Next fell beneath his cold control,
And disappeared like those.
I asked: "Why do you serve her so?
Do you, for some glad day,
Hoard these her sweets--?" He said, "O no,
They charm not me; I bid Time throw
Them carelessly away."
Said I: "We call that cruelty -
We, your poor mortal kind."
He mused. "The thought is new to me.
Forsooth, though I men's master be,
Theirs is the teaching mind!"
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