She, to Him (III)

I will be faithful to thee; aye, I will!
And Death shall choose me with a wondering eye
That he did not discern and domicile
One his by right ever since that last Good-bye!

I have no care for friends, or kin, or prime
Of manhood who deal gently with me here;
Amid the happy people of my time
Who work their love's fulfilment, I appear

Numb as a vane that cankers on its point,
True to the wind that kissed ere canker came;
Despised by souls of Now, who would disjoint
The mind from memory, and make Life all aim,

My old dexterities of hue quite gone,
And nothing left for Love to look upon.

1866.

She, to Him (II)

Perhaps, long hence, when I have passed away,
Some other's feature, accent, thought like mine,
Will carry you back to what I used to say,
And bring some memory of your love's decline.

Then you may pause awhile and think, "Poor jade!"
And yield a sigh to me--as ample due,
Not as the tittle of a debt unpaid
To one who could resign her all to you -

And thus reflecting, you will never see
That your thin thought, in two small words conveyed,
Was no such fleeting phantom-thought to me,
But the Whole Life wherein my part was played;
And you amid its fitful masquerade
A Thought--as I in yours but seem to be.

1866.

She, to Him - I

When you shall see me in the toils of Time,
My lauded beauties carried off from me,
My eyes no longer stars as in their prime,
My name forgot of Maiden Fair and Free;

When in your being heart concedes to mind,
And judgment, though you scarce its process know,
Recalls the excellencies I once enshrined,
And you are irked that they have withered so:

Remembering that with me lies not the blame,
That Sportsman Time but rears his brood to kill,
Knowing me in my soul the very same -
One who would die to spare you touch of ill! -
Will you not grant to old affection's claim
The hand of friendship down Life's sunless hill?

1866.

The Sun on the Letter

[Image: "The Sower with Setting Sun" ~ Vincent Van Gogh]

I drew the letter out, while gleamed
The sloping sun from under a roof
Of cloud whose verge rose visibly.

The burning ball flung rays that seemed
Stretched like a warp without a woof
Across the levels of the lea

To where I stood, and where they beamed
As brightly on the page of proof
That she had shown her false to me

As if it had shown her true--had teemed
With passionate thought for my behoof
Expressed with their own ardency!

Why be at Pains?

(Wooer's Song)

Why be at pains that I should know
You sought not me?
Do breezes, then, make features glow
So rosily?
Come, the lit port is at our back,
And the tumbling sea;
Elsewhere the lampless uphill track
To uncertainty!

O should not we two waifs join hands?
I am alone,
You would enrich me more than lands
By being my own.
Yet, though this facile moment flies,
Close is your tone,
And ere to-morrow's dewfall dries
I plough the unknown.

The Conformers

Yes; we'll wed, my little fay,
And you shall write you mine,
And in a villa chastely gray
We'll house, and sleep, and dine.
But those night-screened, divine,
Stolen trysts of heretofore,
We of choice ecstasies and fine
Shall know no more.

The formal faced cohue
Will then no more upbraid
With smiting smiles and whisperings two
Who have thrown less loves in shade.
We shall no more evade
The searching light of the sun,
Our game of passion will be played,
Our dreaming done.

We shall not go in stealth
To rendezvous unknown,
But friends will ask me of your health,
And you about my own.
When we abide alone,
No leapings each to each,
But syllables in frigid tone
Of household speech.

When down to dust we glide
Men will not say askance,
As now: "How all the country side
Rings with their mad romance!"
But as they graveward glance
Remark: "In them we lose
A worthy pair, who helped advance
Sound parish views."

Sitting on the Bridge

(Echo of an old song)

Sitting on the bridge
Past the barracks, town and ridge,
At once the spirit seized us
To sing a song that pleased us -
As "The Fifth" were much in rumour;
It was "Whilst I'm in the humour,
Take me, Paddy, will you now?"
And a lancer soon drew nigh,
And his Royal Irish eye
Said, "Willing, faith, am I,
O, to take you anyhow, dears,
To take you anyhow."

But, lo!--dad walking by,
Cried, "What, you lightheels! Fie!
Is this the way you roam
And mock the sunset gleam?"
And he marched us straightway home,
Though we said, "We are only, daddy,
Singing, 'Will you take me, Paddy?'"
--Well, we never saw from then
If we sang there anywhen,
The soldier dear again,
Except at night in dream-time,
Except at night in dream.

Perhaps that soldier's fighting
In a land that's far away,
Or he may be idly plighting
Some foreign hussy gay;
Or perhaps his bones are whiting
In the wind to their decay! . . .
Ah!--does he mind him how
The girls he saw that day
On the bridge, were sitting singing
At the time of curfew-ringing,
"Take me, Paddy; will you now, dear?
Paddy, will you now?"

GREY'S BRIDGE.

The Clock Winder

Up, up from the ground

Around and around

In the turret stair

He clambers, to where

The wheelwork is,

With its tick, click, whizz,

Reposefully measuring

Each day to its end

That mortal men spend

In sorrowing and pleasuring

Nightly thus does he climb

To the trackway of Time.

(excerpt)

Her Song

I sang that song on Sunday,
To witch an idle while,
I sang that song on Monday,
As fittest to beguile;
I sang it as the year outwore,
And the new slid in;
I thought not what might shape before
Another would begin.

I sang that song in summer,
All unforeknowingly,
To him as a new-comer
From regions strange to me:
I sang it when in afteryears
The shades stretched out,
And paths were faint; and flocking fears
Brought cup-eyed care and doubt.

Sings he that song on Sundays
In some dim land afar,
On Saturdays, or Mondays,
As when the evening star
Glimpsed in upon his bending face
And my hanging hair,
And time untouched me with a trace
Of soul-smart or despair?

Her Father

I met her, as we had privily planned,
Where passing feet beat busily:
She whispered: "Father is at hand!
He wished to walk with me."

His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
What Love must lose that day.

Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
Embarrassed, stiff, and cold.

A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
As of no worth at all?

"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
Of Time, and wrack, and foes."

WEYMOUTH.

The Fallow Deer at the Lonely House

One without looks in to-night
Through the curtain-chink
From the sheet of glistening white;
One without looks in to-night
As we sit and think
By the fender-brink.

We do not discern those eyes
Watching in the snow;
Lit by lamps of rosy dyes
We do not discern those eyes
Wondering, aglow,
Fourfooted, tiptoe.

In the Garden

We waited for the sun
To break its cloudy prison
(For day was not yet done,
And night still unbegun)
Leaning by the dial.

After many a trial -
We all silent there -
It burst as new-arisen,
Throwing a shade to where
Time travelled at that minute.

Little saw we in it,
But this much I know,
Of lookers on that shade,
Her towards whom it made
Soonest had to go.

The House of Silence

"That is a quiet place -
That house in the trees with the shady lawn."
"--If, child, you knew what there goes on
You would not call it a quiet place.
Why, a phantom abides there, the last of its race,
And a brain spins there till dawn."

"But I see nobody there, -
Nobody moves about the green,
Or wanders the heavy trees between."
"--Ah, that's because you do not bear
The visioning powers of souls who dare
To pierce the material screen.

"Morning, noon, and night,
Mid those funereal shades that seem
The uncanny scenery of a dream,
Figures dance to a mind with sight,
And music and laughter like floods of light
Make all the precincts gleam.

"It is a poet's bower,
Through which there pass, in fleet arrays,
Long teams of all the years and days,
Of joys and sorrows, of earth and heaven,
That meet mankind in its ages seven,
An aion in an hour."

A Poet

Attentive eyes, fantastic heed,
Assessing minds, he does not need,
Nor urgent writs to sup or dine,
Nor pledges in the roseate wine.

For loud acclaim he does not care
By the august or rich or fair,
Nor for smart pilgrims from afar,
Curious on where his hauntings are.

But soon or later, when you hear
That he has doffed this wrinkled gear,
Some evening, at the first star-ray,
Come to his graveside, pause and say:

"Whatever the message his to tell,
Two bright-souled women loved him well."
Stand and say that amid the dim:
It will be praise enough for him.

July 1914.

Mismet

I
He was leaning by a face,
He was looking into eyes,
And he knew a trysting-place,
And he heard seductive sighs;
But the face,
And the eyes,
And the place,
And the sighs,
Were not, alas, the right ones--the ones meet for him -
Though fine and sweet the features, and the feelings all abrim.

II
She was looking at a form,
She was listening for a tread,
She could feel a waft of charm
When a certain name was said;
But the form,
And the tread,
And the charm
Of name said,
Were the wrong ones for her, and ever would be so,
While the heritor of the right it would have saved her soul to know!

The Discovery

I wandered to a crude coast
Like a ghost;
Upon the hills I saw fires -
Funeral pyres
Seemingly--and heard breaking
Waves like distant cannonades that set the land shaking.

And so I never once guessed
A Love-nest,
Bowered and candle-lit, lay
In my way,
Till I found a hid hollow,
Where I burst on her my heart could not but follow.

After the War

Last Post sounded
Across the mead
To where he loitered
With absent heed.
Five years before
In the evening there
Had flown that call
To him and his Dear.
"You'll never come back;
Good-bye!" she had said;
"Here I'll be living,
And my Love dead!"

Those closing minims
Had been as shafts darting
Through him and her pressed
In that last parting;
They thrilled him not now,
In the selfsame place
With the selfsame sun
On his war-seamed face.
"Lurks a god's laughter
In this?" he said,
"That I am the living
And she the dead!"

Her Confession

As some bland soul, to whom a debtor says
"I'll now repay the amount I owe to you,"
In inward gladness feigns forgetfulness
That such a payment ever was his due

(His long thought notwithstanding), so did I
At our last meeting waive your proffered kiss
With quick divergent talk of scenery nigh,
By such suspension to enhance my bliss.

And as his looks in consternation fall
When, gathering that the debt is lightly deemed,
The debtor makes as not to pay at all,
So faltered I, when your intention seemed

Converted by my false uneagerness
To putting off for ever the caress.

W. P. V., 1865-67.

Exeunt Omnes

I
Everybody else, then, going,
And I still left where the fair was? . . .
Much have I seen of neighbour loungers
Making a lusty showing,
Each now past all knowing.

II
There is an air of blankness
In the street and the littered spaces;
Thoroughfare, steeple, bridge and highway
Wizen themselves to lankness;
Kennels dribble dankness.

III
Folk all fade. And whither,
As I wait alone where the fair was?
Into the clammy and numbing night-fog
Whence they entered hither.
Soon do I follow thither!

June 2, 1913.

The Levelled Churchyard

"O passenger, pray list and catch
Our sighs and piteous groans,
Half stifled in this jumbled patch
Of wrenched memorial stones!

"We late-lamented, resting here,
Are mixed to human jam,
And each to each exclaims in fear,
'I know not which I am!'

"The wicked people have annexed
The verses on the good;
A roaring drunkard sports the text
Teetotal Tommy should!

"Where we are huddled none can trace,
And if our names remain,
They pave some path or p-ing place
Where we have never lain!

"There's not a modest maiden elf
But dreads the final Trumpet,
Lest half of her should rise herself,
And half some local strumpet!

"From restorations of Thy fane,
From smoothings of Thy sward,
From zealous Churchmen's pick and plane
Deliver us O Lord! Amen!"

1882.

"The Levelled Churchyard" was written in 1882 while Hardy and Emma were living in Winborne, and it appears to refer specifically to Winborne Minster. The manuscript originally bore a subtitle: "W------- Minster". Michael Millgate explains that Hardy, while cooperating with the Society for the Protection of Ancient Buildings, "offered, in particular, to keep a watchful eye on work being done on Winborne Minster" The germ of the poem -- with the scattered parts of the disinterred bodies -- may have come from an experience twenty years earlier. In The Early Life, Hardy recounts being involved with the overseeing of churchyards that were being cut through by railroad companies. His employer, Arthur Blomfield, described "returning from visiting the site on which all the bodies were said by the railway companies to be reinterred; but there appeared to be nothing deposited, the surface of the ground quite level as before" In order to make sure the bodies were actually buried properly, Hardy was asked to check one such job at irregular intervals. One evening, accompanied by Blomfield, he watched as a coffin fell apart. Out dropped a skeleton and two skulls. When years later he met Arthur Blomfield again, "among the latter's first words were: 'Do you remember how we found the man with two heads at St. Pancras?'"

John Gould – Hardy Forum Archive (2001)