Wives in the Sere

I
Never a careworn wife but shows,
If a joy suffuse her,
Something beautiful to those
Patient to peruse her,
Some one charm the world unknows
Precious to a muser,
Haply what, ere years were foes,
Moved her mate to choose her.

II
But, be it a hint of rose
That an instant hues her,
Or some early light or pose
Wherewith thought renews her -
Seen by him at full, ere woes
Practised to abuse her -
Sparely comes it, swiftly goes,
Time again subdues her.

I Thought, My Heart

I thought, my Heart, that you had healed
Of those sore smartings of the past,
And that the summers had oversealed
All mark of them at last.
But closely scanning in the night
I saw them standing crimson-bright
Just as she made them:
Nothing could fade them;
Yea, I can swear
That there they were -
They still were there!

Then the Vision of her who cut them came,
And looking over my shoulder said,
"I am sure you deal me all the blame
For those sharp smarts and red;
But meet me, dearest, to-morrow night,
In the churchyard at the moon's half-height,
And so strange a kiss
Shall be mine, I wis,
That you'll cease to know
If the wounds you show
Be there or no!"

Her Father

[Weymouth from Portland - October 2008]

I met her, as we had privily planned,
Where passing feet beat busily:
She whispered: "Father is at hand!
He wished to walk with me."

His presence as he joined us there
Banished our words of warmth away;
We felt, with cloudings of despair,
What Love must lose that day.

Her crimson lips remained unkissed,
Our fingers kept no tender hold,
His lack of feeling made the tryst
Embarrassed, stiff, and cold.

A cynic ghost then rose and said,
"But is his love for her so small
That, nigh to yours, it may be read
As of no worth at all?

"You love her for her pink and white;
But what when their fresh splendours close?
His love will last her in despite
Of Time, and wrack, and foes."

WEYMOUTH.

The Dead Drummer

I
They throw in Drummer Hodge, to rest
Uncoffined--just as found:
His landmark is a kopje-crest
That breaks the veldt around;
And foreign constellations west
Each night above his mound.

II
Young Hodge the Drummer never knew -
Fresh from his Wessex home -
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.

III
Yet portion of that unknown plain
Will Hodge for ever be;
His homely Northern breast and brain
Grow up a Southern tree.
And strange-eyed constellations reign
His stars eternally.

On the Belgian Expatriation

I dreamt that people from the Land of Chimes
Arrived one autumn morning with their bells,
To hoist them on the towers and citadels
Of my own country, that the musical rhymes

Rung by them into space at meted times
Amid the market's daily stir and stress,
And the night's empty star-lit silentness,
Might solace souls of this and kindred climes.

Then I awoke; and lo, before me stood
The visioned ones, but pale and full of fear;
From Bruges they came, and Antwerp, and Ostend,

No carillons in their train. Foes of mad mood
Had shattered these to shards amid the gear
Of ravaged roof, and smouldering gable-end.

October 18, 1914.

Autumn in King's Hintock Park

Here by the baring bough
Raking up leaves,
Often I ponder how
Springtime deceives, -
I, an old woman now,
Raking up leaves.

Here in the avenue
Raking up leaves,
Lords' ladies pass in view,
Until one heaves
Sighs at life's russet hue,
Raking up leaves!

Just as my shape you see
Raking up leaves,
I saw, when fresh and free,
Those memory weaves
Into grey ghosts by me,
Raking up leaves.

Yet, Dear, though one may sigh,
Raking up leaves,
New leaves will dance on high -
Earth never grieves! -
Will not, when missed am I
Raking up leaves.

1901.

Evelyn G. of Christminster

I can see the towers
In mind quite clear
Not many hours'
Faring from here;
But how up and go,
And briskly bear
Thither, and know
That are not there?

Though the birds sing small,
And apple and pear
On your trees by the wall
Are ripe and rare,
Though none excel them,
I have no care
To taste them or smell them
And you not there.

Though the College stones
Are smit with the sun,
And the graduates and Dons
Who held you as one
Of brightest brow
Still think as they did,
Why haunt with them now
Your candle is hid?

Towards the river
A pealing swells:
They cost me a quiver -
Those prayerful bells!
How go to God,
Who can reprove
With so heavy a rod
As your swift remove!

The chorded keys
Wait all in a row,
And the bellows wheeze
As long ago.
And the psalter lingers,
And organist's chair;
But where are your fingers
That once wagged there?

Shall I then seek
That desert place
This or next week,
And those tracks trace
That fill me with cark
And cloy; nowhere
Being movement or mark
Of you now there!

The Bullfinches

Bother Bulleys, let us sing
From the dawn till evening! -
For we know not that we go not
When the day's pale pinions fold
Unto those who sang of old.

When I flew to Blackmoor Vale,
Whence the green-gowned faeries hail,
Roosting near them I could hear them
Speak of queenly Nature's ways,
Means, and moods,--well known to fays.

All we creatures, nigh and far
(Said they there), the Mother's are:
Yet she never shows endeavour
To protect from warrings wild
Bird or beast she calls her child.

Busy in her handsome house
Known as Space, she falls a-drowse;
Yet, in seeming, works on dreaming,
While beneath her groping hands
Fiends make havoc in her bands.

How her hussif'ry succeeds
She unknows or she unheeds,
All things making for Death's taking!
--So the green-gowned faeries say
Living over Blackmoor way.

Come then, brethren, let us sing,
From the dawn till evening! -
For we know not that we go not
When the day's pale pinions fold
Unto those who sang of old.

Shelley's Skylark

(The neighbourhood of Leghorn: March, 1887)

Somewhere afield here something lies
In Earth's oblivious eyeless trust
That moved a poet to prophecies -
A pinch of unseen, unguarded dust

The dust of the lark that Shelley heard,
And made immortal through times to be; -
Though it only lived like another bird,
And knew not its immortality.

Lived its meek life; then, one day, fell -
A little ball of feather and bone;
And how it perished, when piped farewell,
And where it wastes, are alike unknown.

Maybe it rests in the loam I view,
Maybe it throbs in a myrtle's green,
Maybe it sleeps in the coming hue
Of a grape on the slopes of yon inland scene.

Go find it, faeries, go and find
That tiny pinch of priceless dust,
And bring a casket silver-lined,
And framed of gold that gems encrust;

And we will lay it safe therein,
And consecrate it to endless time;
For it inspired a bard to win
Ecstatic heights in thought and rhyme.

The Selfsame Song

A bird bills the selfsame song,
With never a fault in its flow,
That we listened to here those long
Long years ago.

A pleasing marvel is how
A strain of such rapturous rote
Should have gone on thus till now
Unchanged in a note!

- But it's not the selfsame bird. -
No: perished to dust is he . . .
As also are those who heard
That song with me.

Wagtail and Baby

A baby watched a ford, whereto
A wagtail came for drinking;
A blaring bull went wading through,
The wagtail showed no shrinking.

A stallion splashed his way across,
The birdie nearly sinking;
He gave his plumes a twitch and toss,
And held his own unblinking.

Next saw the baby round the spot
A mongrel slowly slinking;
The wagtail gazed, but faltered not
In dip and sip and prinking.

A perfect gentleman then neared;
The wagtail, in a winking,
With terror rose and disappeared;
The baby fell a-thinking.