The Rash Bride (I of III)

AN EXPERIENCE OF THE MELLSTOCK QUIRE

[Stinsford Church - the home of the Mellstock Quire]

I
We Christmas-carolled down the Vale, and up the Vale, and round the Vale,
We played and sang that night as we were yearly wont to do -
A carol in a minor key, a carol in the major D,
Then at each house: "Good wishes: many Christmas joys to you!"

II
Next, to the widow's John and I and all the rest drew on. And I
Discerned that John could hardly hold the tongue of him for joy.
The widow was a sweet young thing whom John was bent on marrying,
And quiring at her casement seemed romantic to the boy.

III
"She'll make reply, I trust," said he, "to our salute? She must!" said he,
"And then I will accost her gently--much to her surprise! -
For knowing not I am with you here, when I speak up and call her dear
A tenderness will fill her voice, a bashfulness her eyes.

IV
So, by her window-square we stood; ay, with our lanterns there we stood,
And he along with us,--not singing, waiting for a sign;
And when we'd quired her carols three a light was lit and out looked she,
A shawl about her bedgown, and her colour red as wine.

V
And sweetly then she bowed her thanks, and smiled, and spoke aloud her thanks;
When lo, behind her back there, in the room, a man appeared.
I knew him--one from Woolcomb way--Giles Swetman--honest as the day,
But eager, hasty; and I felt that some strange trouble neared.

The Temporary the All (III of III)

"Then, high handiwork will I make my life-deed,
Truth and Light outshow; but the ripe time pending,
Intermissive aim at the thing sufficeth."
Thus I . . . But lo, me!

Mistress, friend, place, aims to be bettered straightway,
Bettered not has Fate or my hand's achieving;
Sole the showance those of my onward earth-track -
Never transcended!

She, I and They

I was sitting,
She was knitting,
And the portraits of our fore-folk hung around;
When there struck on us a sigh;
"Ah--what is that?" said I:
"Was it not you?" said she. "A sigh did sound."

I had not breathed it,
Nor the night-wind heaved it,
And how it came to us we could not guess;
And we looked up at each face
Framed and glazed there in its place,
Still hearkening; but thenceforth was silentness.

Half in dreaming,
"Then its meaning,"
Said we, "must be surely this; that they repine
That we should be the last
Of stocks once unsurpassed,
And unable to keep up their sturdy line."

1916.

The Blinded Bird

So zestfully canst thou sing?
And all this indignity,
With God's consent, on thee!
Blinded ere yet a-wing
By the red-hot needle thou,
I stand and wonder how
So zestfully thou canst sing!

Resenting not such wrong,
Thy grievous pain forgot,
Eternal dark thy lot,
Groping thy whole life long;
After that stab of fire;
Enjailed in pitiless wire;
Resenting not such wrong!

Who hath charity? This bird.
Who suffereth long and is kind,
Is not provoked, though blind
And alive ensepulchred?
Who hopeth, endureth all things?
Who thinketh no evil, but sings?
Who is divine? This bird.

Summer Schemes

When friendly summer calls again,
Calls again
Her little fifers to these hills,
We'll go--we two--to that arched fane
Of leafage where they prime their bills
Before they start to flood the plain
With quavers, minims, shakes, and trills.
"--We'll go," I sing; but who shall say
What may not chance before that day!

And we shall see the waters spring,
Waters spring
From chinks the scrubby copses crown;
And we shall trace their oncreeping
To where the cascade tumbles down
And sends the bobbing growths aswing,
And ferns not quite but almost drown.
"--We shall," I say; but who may sing
Of what another moon will bring!

The Temporary the All (II of III)

Thwart my wistful way did a damsel saunter,
Fair, the while unformed to be all-eclipsing;
"Maiden meet," held I, "till arise my forefelt
Wonder of women."

Long a visioned hermitage deep desiring,
Tenements uncouth I was fain to house in;
"Let such lodging be for a breath-while," thought I,
"Soon a more seemly.

The Temporary the All (I of III)

Change and chancefulness in my flowering youthtime,
Set me sun by sun near to one unchosen;
Wrought us fellow-like, and despite divergence,
Friends interlinked us.

"Cherish him can I while the true one forthcome -
Come the rich fulfiller of my prevision;
Life is roomy yet, and the odds unbounded."
So self-communed I.

To an Actress

I read your name when you were strange to me,
Where it stood blazoned bold with many more;
I passed it vacantly, and did not see
Any great glory in the shape it wore.

O cruelty, the insight barred me then!
Why did I not possess me with its sound,
And in its cadence catch and catch again
Your nature's essence floating therearound?

Could THAT man be this I, unknowing you,
When now the knowing you is all of me,
And the old world of then is now a new,
And purpose no more what it used to be -
A thing of formal journeywork, but due
To springs that then were sealed up utterly?

1867.

A Spot

[Image: Ford Madox Brown – ‘The Last of England’ (1855)]

In years defaced and lost,
Two sat here, transport-tossed,
Lit by a living love
The wilted world knew nothing of:
Scared momently
By gaingivings,
Then hoping things
That could not be.

Of love and us no trace
Abides upon the place;
The sun and shadows wheel,
Season and season sereward steal;
Foul days and fair
Here, too, prevail,
And gust and gale
As everywhere.

But lonely shepherd souls
Who bask amid these knolls
May catch a faery sound
On sleepy noontides from the ground:
"O not again
Till Earth outwears
Shall love like theirs
Suffuse this glen!"

Song of Hope

O sweet To-morrow! -
After to-day
There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
Dimmed by no gray -
No gray!

While the winds wing us
Sighs from The Gone,
Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
Further anon -
Anon!

Doff the black token,
Don the red shoon,
Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
To-morrow shines soon -
Shines soon!

You on the Tower

I

"You on the tower of my factory -
What do you see up there?
Do you see Enjoyment with wide wings
Advancing to reach me here?"
- "Yea; I see Enjoyment with wide wings
Advancing to reach you here."

II

"Good. Soon I'll come and ask you
To tell me again thereon . . .
Well, what is he doing now? Hoi, there!"
--"He still is flying on."
"Ah, waiting till I have full-finished.
Good. Tell me again anon . . .

III

Hoi, Watchman! I'm here. When comes he?
Between my sweats I am chill."
--"Oh, you there, working still?
Why, surely he reached you a time back,
And took you miles from your mill?
He duly came in his winging,
And now he has passed out of view.
How can it be that you missed him?
He brushed you by as he flew."

The Little Old Table

Creak, little wood thing, creak,
When I touch you with elbow or knee;
That is the way you speak
Of one who gave you to me!

You, little table, she brought -
Brought me with her own hand,
As she looked at me with a thought
That I did not understand.

- Whoever owns it anon,
And hears it, will never know
What a history hangs upon
This creak from long ago.

Drawing Details in an Old Church

I hear the bell-rope sawing,
And the oil-less axle grind,
As I sit alone here drawing
What some Gothic brain designed;
And I catch the toll that follows
From the lagging bell,
Ere it spreads to hills and hollows
Where the parish people dwell.

I ask not whom it tolls for,
Incurious who he be;
So, some morrow, when those knolls for
One unguessed, sound out for me,
A stranger, loitering under
In nave or choir,
May think, too, "Whose, I wonder?"
But care not to inquire.

The Fallow Deer at the Lonely House

One without looks in to-night
Through the curtain-chink
From the sheet of glistening white;
One without looks in to-night
As we sit and think
By the fender-brink.

We do not discern those eyes
Watching in the snow;
Lit by lamps of rosy dyes
We do not discern those eyes
Wondering, aglow,
Fourfooted, tiptoe.

The Wood Fire (Fragment)

"This is a brightsome blaze you've lit good friend, to-night!"
"--Aye, it has been the bleakest spring I have felt for years,
And nought compares with cloven logs to keep alight:
I buy them bargain-cheap of the executioners,
As I dwell near; and they wanted the crosses out of sight
By Passover, not to affront the eyes of visitors.

"Yes, they're from the crucifixions last week-ending
At Kranion. We can sometimes use the poles again,
But they get split by the nails, and 'tis quicker work than mending
To knock together new; though the uprights now and then
Serve twice when they're let stand. But if a feast's impending,
As lately, you've to tidy up for the corners' ken.

"Though only three were impaled, you may know it didn't pass off
So quietly as was wont? That Galilee carpenter's son
Who boasted he was king, incensed the rabble to scoff:
I heard the noise from my garden. This piece is the one he was on .
. .
Yes, it blazes up well if lit with a few dry chips and shroff;
And it's worthless for much else, what with cuts and stains thereon."

At the Word "Farewell"

She looked like a bird from a cloud
On the clammy lawn,
Moving alone, bare-browed
In the dim of dawn.
The candles alight in the room
For my parting meal
Made all things withoutdoors loom
Strange, ghostly, unreal.

The hour itself was a ghost,
And it seemed to me then
As of chances the chance furthermost
I should see her again.
I beheld not where all was so fleet
That a Plan of the past
Which had ruled us from birthtime to meet
Was in working at last:

No prelude did I there perceive
To a drama at all,
Or foreshadow what fortune might weave
From beginnings so small;
But I rose as if quicked by a spur
I was bound to obey,
And stepped through the casement to her
Still alone in the gray.

"I am leaving you . . . Farewell!" I said,
As I followed her on
By an alley bare boughs overspread;
"I soon must be gone!"
Even then the scale might have been turned
Against love by a feather,
- But crimson one cheek of hers burned
When we came in together.

Copying Architecture in an old MInster (excerpt)

[The roof of Sherborne Abbey]

How smartly the quarters of the hour march by
That the jack-o'-clock never forgets;
Ding-dong; and before I have traced a cusp's eye,
Or got the true twist of the ogee over,
A double ding-dong ricochetts.

Just so did he clang here before I came,
And so will he clang when I'm gone
Through the Minster's cavernous hollows--the same
Tale of hours never more to be will he deliver
To the speechless midnight and dawn!

I grow to conceive it a call to ghosts,
Whose mould lies below and around.
Yes; the next "Come, come," draws them out from their posts,
And they gather, and one shade appears, and another,
As the eve-damps creep from the ground.

Joys of Memory

When the spring comes round, and a certain day
Looks out from the brume by the eastern copsetrees
And says, Remember,
I begin again, as if it were new,
A day of like date I once lived through,
Whiling it hour by hour away;
So shall I do till my December,
When spring comes round.

I take my holiday then and my rest
Away from the dun life here about me,
Old hours re-greeting
With the quiet sense that bring they must
Such throbs as at first, till I house with dust,
And in the numbness my heartsome zest
For things that were, be past repeating
When spring comes round.

To the Moon

"What have you looked at, Moon,
In your time,
Now long past your prime?"
"O, I have looked at, often looked at
Sweet, sublime,
Sore things, shudderful, night and noon
In my time."

"What have you mused on, Moon,
In your day,
So aloof, so far away?"
"O, I have mused on, often mused on
Growth, decay,
Nations alive, dead, mad, aswoon,
In my day!"

"Have you much wondered, Moon,
On your rounds,
Self-wrapt, beyond Earth's bounds?"
"Yea, I have wondered, often wondered
At the sounds
Reaching me of the human tune
On my rounds."

"What do you think of it, Moon,
As you go?
Is Life much, or no?"
"O, I think of it, often think of it
As a show
God ought surely to shut up soon,
As I go."

In A Museum

[Exeter Museum]

I
Here's the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There's a contralto voice I heard last night,
That lodges in me still with its sweet singing.

II
Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fugued song of the universe unending.

EXETER.