Evelyn G. of Christminster (II)

Towards the river
A pealing swells:
They cost me a quiver -
Those prayerful bells!
How go to God,
Who can reprove
With so heavy a rod
As your swift remove!

The chorded keys
Wait all in a row,
And the bellows wheeze
As long ago.
And the psalter lingers,
And organist's chair;
But where are your fingers
That once wagged there?

Shall I then seek
That desert place
This or next week,
And those tracks trace
That fill me with cark
And cloy; nowhere
Being movement or mark

Evelyn G. of Christminster (I)

I can see the towers
In mind quite clear
Not many hours'
Faring from here;
But how up and go,
And briskly bear
Thither, and know
That are not there?

Though the birds sing small,
And apple and pear
On your trees by the wall
Are ripe and rare,
Though none excel them,
I have no care
To taste them or smell them
And you not there.

Though the College stones
Are smit with the sun,
And the graduates and Dons
Who held you as one
Of brightest brow
Still think as they did,
Why haunt with them now
Your candle is hid?

After the Visit

Come again to the place
Where your presence was as a leaf that skims
Down a drouthy way whose ascent bedims
The bloom on the farer's face.

Come again, with the feet
That were light on the green as a thistledown ball,
And those mute ministrations to one and to all
Beyond a man's saying sweet.

Until then the faint scent
Of the bordering flowers swam unheeded away,
And I marked not the charm in the changes of day
As the cloud-colours came and went.

Through the dark corridors
Your walk was so soundless I did not know
Your form from a phantom's of long ago
Said to pass on the ancient floors,

Till you drew from the shade,
And I saw the large luminous living eyes
Regard me in fixed inquiring-wise
As those of a soul that weighed,

Scarce consciously,
The eternal question of what Life was,
And why we were there, and by whose strange laws
That which mattered most could not be.

The Problem

Shall we conceal the Case, or tell it -
We who believe the evidence?
Here and there the watch-towers knell it
With a sullen significance,
Heard of the few who hearken intently and carry an eagerly upstrained sense.

Hearts that are happiest hold not by it;
Better we let, then, the old view reign;
Since there is peace in it, why decry it?
Since there is comfort, why disdain?
Note not the pigment the while that the painting determines humanity's joy and pain!

To Life

O life with the sad seared face,
I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
And thy too-forced pleasantry!

I know what thou would'st tell
Of Death, Time, Destiny -
I have known it long, and know, too, well
What it all means for me.

But canst thou not array
Thyself in rare disguise,
And feign like truth, for one mad day,
That Earth is Paradise?

I'll tune me to the mood,
And mumm with thee till eve;
And maybe what as interlude
I feign, I shall believe!

The Farm-Woman's Winter

I
If seasons all were summers,
And leaves would never fall,
And hopping casement-comers
Were foodless not at all,
And fragile folk might be here
That white winds bid depart;
Then one I used to see here
Would warm my wasted heart!

II
One frail, who, bravely tilling
Long hours in gripping gusts,
Was mastered by their chilling,
And now his ploughshare rusts.
So savage winter catches
The breath of limber things,
And what I love he snatches,
And what I love not, brings.

He Wonders About Himself

No use hoping, or feeling vext,
Tugged by a force above or under
Like some fantocine, much I wonder
What I shall find me doing next!

Shall I be rushing where bright eyes be?
Shall I be suffering sorrows seven?
Shall I be watching the stars of heaven,
Thinking one of them looks like thee?

Part is mine of the general Will,
Cannot my share in the sum of sources
Bend a digit the poise of forces,
And a fair desire fulfil?

Nov. 1893.

A Night in November

I marked when the weather changed,
And the panes began to quake,
And the winds rose up and ranged,
That night, lying half-awake.

Dead leaves blew into my room,
And alighted upon my bed,
And a tree declared to the gloom
Its sorrow that they were shed.

One leaf of them touched my hand,
And I thought that it was you
There stood as you used to stand,
And saying at last you knew!

(?) 1913.

At Day-Close in November

The ten hours' light is abating,
And a late bird flies across,
Where the pines, like waltzers waiting,
Give their black heads a toss.

Beech leaves, that yellow the noon-time,
Float past like specks in the eye;
I set every tree in my June time,
And now they obscure the sky.

And the children who ramble through here
Conceive that there never has been
A time when no tall trees grew here,
A time when none will be seen.

Let Me Enjoy (Minor Key)

I
Let me enjoy the earth no less
Because the all-enacting Might
That fashioned forth its loveliness
Had other aims than my delight.

II
About my path there flits a Fair,
Who throws me not a word or sign;
I'll charm me with her ignoring air,
And laud the lips not meant for mine.

III
From manuscripts of moving song
Inspired by scenes and dreams unknown
I'll pour out raptures that belong
To others, as they were my own.

IV
And some day hence, towards Paradise,
And all its blest--if such should be -
I will lift glad, afar-off eyes,
Though it contain no place for me.

From A SET OF COUNTRY SONGS

A jog-trot pair

Who were the twain that trod this track
So many times together
Hither and back,
In spells of certain and uncertain weather?

Commonplace in conduct they
Who wandered to and fro here
Day by day:
Two that few dwellers troubled themselves to know here.

The very gravel-path was prim
That daily they would follow:
Borders trim:
Never a wayward sprout, or hump, or hollow.

Trite usages in tamest style
Had tended to their plighting.
"It's just worth while,
Perhaps," they had said. "And saves much sad good-nighting."

And petty seemed the happenings
That ministered to their joyance:
Simple things,
Onerous to satiate souls, increased their buoyance.

Who could those common people be,
Of days the plainest, barest?
They were we;
Yes; happier than the cleverest, smartest, rarest.

A Maiden's Pledge (Song)

I do not wish to win your vow
To take me soon or late as bride,
And lift me from the nook where now
I tarry your farings to my side.
I am blissful ever to abide
In this green labyrinth--let all be,
If but, whatever may betide,
You do not leave off loving me!

Your comet-comings I will wait
With patience time shall not wear through;
The yellowing years will not abate
My largened love and truth to you,
Nor drive me to complaint undue
Of absence, much as I may pine,
If never another 'twixt us two
Shall come, and you stand wholly mine.

She, to Him (IV)

This love puts all humanity from me;
I can but maledict her, pray her dead,
For giving love and getting love of thee -
Feeding a heart that else mine own had fed!

How much I love I know not, life not known,
Save as some unit I would add love by;
But this I know, my being is but thine own--
Fused from its separateness by ecstasy.

And thus I grasp thy amplitudes, of her
Ungrasped, though helped by nigh-regarding eyes;
Canst thou then hate me as an envier
Who see unrecked what I so dearly prize?
Believe me, Lost One, Love is lovelier
The more it shapes its moan in selfish-wise.

1866.

She, to Him (III)

I will be faithful to thee; aye, I will!
And Death shall choose me with a wondering eye
That he did not discern and domicile
One his by right ever since that last Good-bye!

I have no care for friends, or kin, or prime
Of manhood who deal gently with me here;
Amid the happy people of my time
Who work their love's fulfilment, I appear

Numb as a vane that cankers on its point,
True to the wind that kissed ere canker came;
Despised by souls of Now, who would disjoint
The mind from memory, and make Life all aim,

My old dexterities of hue quite gone,
And nothing left for Love to look upon.

1866.

She, to Him (II)

Perhaps, long hence, when I have passed away,
Some other's feature, accent, thought like mine,
Will carry you back to what I used to say,
And bring some memory of your love's decline.

Then you may pause awhile and think, "Poor jade!"
And yield a sigh to me--as ample due,
Not as the tittle of a debt unpaid
To one who could resign her all to you -

And thus reflecting, you will never see
That your thin thought, in two small words conveyed,
Was no such fleeting phantom-thought to me,
But the Whole Life wherein my part was played;
And you amid its fitful masquerade
A Thought--as I in yours but seem to be.

1866.

She, to Him (I)

When you shall see me in the toils of Time,
My lauded beauties carried off from me,
My eyes no longer stars as in their prime,
My name forgot of Maiden Fair and Free;

When in your being heart concedes to mind,
And judgment, though you scarce its process know,
Recalls the excellencies I once enshrined,
And you are irked that they have withered so:

Remembering that with me lies not the blame,
That Sportsman Time but rears his brood to kill,
Knowing me in my soul the very same -
One who would die to spare you touch of ill! -
Will you not grant to old affection's claim
The hand of friendship down Life's sunless hill?

1866.

Penance

"Why do you sit, O pale thin man,
At the end of the room
By that harpsichord, built on the quaint old plan?
--It is cold as a tomb,
And there's not a spark within the grate;
And the jingling wires
Are as vain desires
That have lagged too late."

"Why do I? Alas, far times ago
A woman lyred here
In the evenfall; one who fain did so
From year to year;
And, in loneliness bending wistfully,
Would wake each note
In sick sad rote,
None to listen or see!

"I would not join. I would not stay,
But drew away,
Though the winter fire beamed brightly . . . Aye!
I do to-day
What I would not then; and the chill old keys,
Like a skull's brown teeth
Loose in their sheath,
Freeze my touch; yes, freeze."

The Moon Looks In (part)

I
I have risen again,
And awhile survey
By my chilly ray
Through your window-pane
Your upturned face,
As you think, "Ah-she
Now dreams of me
In her distant place!"

A Wife in London (II)

II--THE IRONY

'Tis the morrow; the fog hangs thicker,
The postman nears and goes:
A letter is brought whose lines disclose
By the firelight flicker
His hand, whom the worm now knows:

Fresh--firm--penned in highest feather -
Page-full of his hoped return,
And of home-planned jaunts by brake and burn
In the summer weather,
And of new love that they would learn.

In a Cathedral City

These people have not heard your name;
No loungers in this placid place
Have helped to bruit your beauty's fame.

The grey Cathedral, towards whose face
Bend eyes untold, has met not yours;
Your shade has never swept its base,

Your form has never darked its doors,
Nor have your faultless feet once thrown
A pensive pit-pat on its floors.

Along the street to maids well known
Blithe lovers hum their tender airs,
But in your praise voice not a tone.

Since nought bespeaks you here, or bears,
As I, your imprint through and through,
Here might I rest, till my heart shares
The spot's unconsciousness of you!