On afternoons of drowsy calm
We stood in the panelled pew,
Singing one-voiced a Tate-and-Brady psalm
To the tune of "Cambridge New."
We watched the elms, we watched the rooks,
The clouds upon the breeze,
Between the whiles of glancing at our books,
And swaying like the trees.
So mindless were those outpourings! -
Though I am not aware
That I have gained by subtle thought on things
Since we stood psalming there.
We stood in the panelled pew,
Singing one-voiced a Tate-and-Brady psalm
To the tune of "Cambridge New."
We watched the elms, we watched the rooks,
The clouds upon the breeze,
Between the whiles of glancing at our books,
And swaying like the trees.
So mindless were those outpourings! -
Though I am not aware
That I have gained by subtle thought on things
Since we stood psalming there.
.
"The gallery of Mellstock Church had a status and sentiment of its own. A stranger there was regarded with a feeling altogether differing from that of the congregation below towards him. Banished from the nave as an intruder whom no originality could make interesting, he was received above as a curiosity that no unfitness could render dull. The gallery, too, looked down upon and knew the habits of the nave to its remotest peculiality, and had an extensive stock of exclusive information about it; while the nave knew nothing of the gallery folk, as gallery folk, beyond their loud-sounding minims and chest notes...
Old William sat in the centre of the front row, his violoncello between his knees and two singers on each hand. Behind him, on the left, came the treble singers and Dick; and on the right the tranter and the tenors. Farther back was old Mail with the altos and supernumeraries."
(Under the Greenwood Tree - I, 6)
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