Read by Moonlight

I paused to read a letter of hers
By the moon's cold shine,
Eyeing it in the tenderest way,
And edging it up to catch each ray
Upon her light-penned line.
I did not know what years would flow
Of her life's span and mine
Ere I read another letter of hers
By the moon's cold shine!

I chance now on the last of hers,
By the moon's cold shine;
It is the one remaining page
Out of the many shallow and sage
Whereto she set her sign.
Who could foresee there were to be
Such letters of pain and pine
Ere I should read this last of hers
By the moon's cold shine!

The Fire at Tranter Sweatley's (Final)

"Where's the tranter?" said men and boys; "where can er be?"
"Where's the tranter?" said Barbree alone.
"Where on e'th is the tranter?" said everybod-y:
They sifted the dust of his perished roof-tree,
And all they could find was a bone.

Then the uncle cried, "Lord, pray have mercy on me!"
And in terror began to repent.
But before 'twas complete, and till sure she was free,
Barbree drew up her loft-ladder, tight turned her key -
Tim bringing up breakfast and dinner and tea -
Till the news of her hiding got vent.

Then followed the custom-kept rout, shout, and flare
Of a skimmington-ride through the naibourhood, ere
Folk had proof o' wold Sweatley's decay.
Whereupon decent people all stood in a stare,
Saying Tim and his lodger should risk it, and pair:
So he took her to church. An' some laughing lads there
Cried to Tim, "After Sweatley!" She said, "I declare
I stand as a maiden to-day!"

Written 1866; printed 1875.

The Fire at Tranter Sweatley's (IV)

Over piggeries, and mixens, and apples, and hay,
They lumpered straight into the night;
And finding bylong where a halter-path lay,
At dawn reached Tim's house, on'y seen on their way
By a naibour or two who were up wi' the day;
But they gathered no clue to the sight.

Then tender Tim Tankens he searched here and there
For some garment to clothe her fair skin;
But though he had breeches and waistcoats to spare,
He had nothing quite seemly for Barbree to wear,
Who, half shrammed to death, stood and cried on a chair
At the caddle she found herself in.

There was one thing to do, and that one thing he did,
He lent her some clouts of his own,
And she took 'em perforce; and while in 'em she slid,
Tim turned to the winder, as modesty bid,
Thinking, "O that the picter my duty keeps hid
To the sight o' my eyes mid be shown!"

In the tallet he stowed her; there huddied she lay,
Shortening sleeves, legs, and tails to her limbs;
But most o' the time in a mortal bad way,
Well knowing that there'd be the divel to pay
If 'twere found that, instead o' the elements' prey,
She was living in lodgings at Tim's.

(tbc)

The Fire at Tranter Sweatley's (III)

She eyed en; and, as when a weir-hatch is drawn,
Her tears, penned by terror afore,
With a rushing of sobs in a shower were strawn,
Till her power to pour 'em seemed wasted and gone
From the heft o' misfortune she bore.

"O Tim, my OWN Tim I must call 'ee--I will!
All the world ha' turned round on me so!
Can you help her who loved 'ee, though acting so ill?
Can you pity her misery--feel for her still?
When worse than her body so quivering and chill
Is her heart in its winter o' woe!

"I think I mid almost ha' borne it," she said,
"Had my griefs one by one come to hand;
But O, to be slave to thik husbird for bread,
And then, upon top o' that, driven to wed,
And then, upon top o' that, burnt out o' bed,
Is more than my nater can stand!"

Tim's soul like a lion 'ithin en outsprung -
(Tim had a great soul when his feelings were wrung)--
"Feel for 'ee, dear Barbree?" he cried;
And his warm working-jacket about her he flung,
Made a back, horsed her up, till behind him she clung
Like a chiel on a gipsy, her figure uphung
By the sleeves that around her he tied.

(tbc)

The Fire at Tranter Sweatley's (II)

The bride sought her cham'er so calm and so pale
That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o' smoke, the red battle-field's vail,
That look spak' of havoc behind.

The bridegroom yet laitered a beaker to drain,
Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain -
Flames spread, and red vlankers, wi' might and wi' main,
And round beams, thatch, and chimley-tun roar.

Young Tim away yond, rafted up by the light,
Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi' fright,
Wi' on'y her night-rail to screen her from sight,
His lonesome young Barbree appears.

Her cwold little figure half-naked he views
Played about by the frolicsome breeze,
Her light-tripping totties, her ten little tooes,
All bare and besprinkled wi' Fall's chilly dews,
While her great gallied eyes, through her hair hanging loose,
Sheened as stars through a tardle o' trees.

.

(tbc)

The Fire at Tranter Sweatley's (I)

[His Wedding Morn by Walter Dendy Sadler]

.

They had long met o' Zundays--her true love and she -
And at junketings, maypoles, and flings;
But she bode wi' a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibour Sweatley--a gaffer oft weak at the knee
From taking o' sommat more cheerful than tea -
Who tranted, and moved people's things.

She cried, "O pray pity me!" Nought would he hear;
Then with wild rainy eyes she obeyed.
She chid when her Love was for clinking off wi' her.
The pa'son was told, as the season drew near
To throw over pu'pit the names of the peair
As fitting one flesh to be made.

The wedding-day dawned and the morning drew on;
The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, "God save the King," and anon
The two home-along gloomily hied.

The lover Tim Tankens mourned heart-sick and drear
To be thus of his darling deprived:
He roamed in the dark ath'art field, mound, and mere,
And, a'most without knowing it, found himself near
The house of the tranter, and now of his Dear,
Where the lantern-light showed 'em arrived.

(tbc)

Drawing Details in an Old Church

I hear the bell-rope sawing,
And the oil-less axle grind,
As I sit alone here drawing
What some Gothic brain designed;
And I catch the toll that follows
From the lagging bell,
Ere it spreads to hills and hollows
Where the parish people dwell.

I ask not whom it tolls for,
Incurious who he be;
So, some morrow, when those knolls for
One unguessed, sound out for me,
A stranger, loitering under
In nave or choir,
May think, too, "Whose, I wonder?"
But care not to inquire.

The Voice

Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where you would wait for me: yes, as I knew you then,
Even to the original air-blue gown!

Or is it only the breeze, in its listlessness
Travelling across the wet mead to me here,
You being ever consigned to existlessness,
Heard no more again far or near?

Thus I; faltering forward,
Leaves around me falling,
Wind oozing thin through the thorn from norward
And the woman calling.

December 1912.

The Occultation

When the cloud shut down on the morning shine,
And darkened the sun,
I said, "So ended that joy of mine
Years back begun."

But day continued its lustrous roll
In upper air;
And did my late irradiate soul
Live on somewhere?

Fetching Her

An hour before the dawn,
My friend,
You lit your waiting bedside-lamp,
Your breakfast-fire anon,
And outing into the dark and damp
You saddled, and set on.

Thuswise, before the day,
My friend,
You sought her on her surfy shore,
To fetch her thence away
Unto your own new-builded door
For a staunch lifelong stay.

You said: "It seems to be,
My friend,
That I were bringing to my place
The pure brine breeze, the sea,
The mews--all her old sky and space,
In bringing her with me!"

--But time is prompt to expugn,
My friend,
Such magic-minted conjurings:
The brought breeze fainted soon,
And then the sense of seamews' wings,
And the shore's sibilant tune.

So, it had been more due,
My friend,
Perhaps, had you not pulled this flower
From the craggy nook it knew,
And set it in an alien bower;
But left it where it grew!

The Farm-Woman's Winter

I
If seasons all were summers,
And leaves would never fall,
And hopping casement-comers
Were foodless not at all,
And fragile folk might be here
That white winds bid depart;
Then one I used to see here
Would warm my wasted heart!

II
One frail, who, bravely tilling
Long hours in gripping gusts,
Was mastered by their chilling,
And now his ploughshare rusts.
So savage winter catches
The breath of limber things,
And what I love he snatches,
And what I love not, brings.

Near Lanivet, 1872

There was a stunted handpost just on the crest,
Only a few feet high:
She was tired, and we stopped in the twilight-time for her rest,
At the crossways close thereby.

She leant back, being so weary, against its stem,
And laid her arms on its own,
Each open palm stretched out to each end of them,
Her sad face sideways thrown.

.
Her white-clothed form at this dim-lit cease of day
Made her look as one crucified
In my gaze at her from the midst of the dusty way,
And hurriedly "Don't," I cried.

I do not think she heard. Loosing thence she said,
As she stepped forth ready to go,
"I am rested now.--Something strange came into my head;
I wish I had not leant so!"

And wordless we moved onward down from the hill
In the west cloud's murked obscure,
And looking back we could see the handpost still
In the solitude of the moor.

"It struck her too," I thought, for as if afraid
She heavily breathed as we trailed;
Till she said, "I did not think how 'twould look in the shade,
When I leant there like one nailed."

I, lightly: "There's nothing in it. For YOU, anyhow!"
--"O I know there is not," said she . . .
"Yet I wonder . . . If no one is bodily crucified now,
In spirit one may be!"

And we dragged on and on, while we seemed to see
In the running of Time's far glass
Her crucified, as she had wondered if she might be
Some day.--Alas, alas!

[Image : A Celtic Cross near Lanivet]

From "Weathers"

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh, and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate-bars hang in a row,
And rooks in families homeward go,
And so do I.

Summer 2007 perhaps?

The Discovery

I wandered to a crude coast
Like a ghost;
Upon the hills I saw fires -
Funeral pyres
Seemingly--and heard breaking
Waves like distant cannonades that set the land shaking.

And so I never once guessed
A Love-nest,
Bowered and candle-lit, lay
In my way,
Till I found a hid hollow,
Where I burst on her my heart could not but follow.

Afternoon Service at Mellstock (Circa 1850)

[Drawing by Thomas Hardy]

On afternoons of drowsy calm
We stood in the panelled pew,
Singing one-voiced a Tate-and-Brady psalm
To the tune of "Cambridge New."

We watched the elms, we watched the rooks,
The clouds upon the breeze,
Between the whiles of glancing at our books,
And swaying like the trees.

So mindless were those outpourings! -
Though I am not aware
That I have gained by subtle thought on things
Since we stood psalming there.

.

"The gallery of Mellstock Church had a status and sentiment of its own. A stranger there was regarded with a feeling altogether differing from that of the congregation below towards him. Banished from the nave as an intruder whom no originality could make interesting, he was received above as a curiosity that no unfitness could render dull. The gallery, too, looked down upon and knew the habits of the nave to its remotest peculiality, and had an extensive stock of exclusive information about it; while the nave knew nothing of the gallery folk, as gallery folk, beyond their loud-sounding minims and chest notes...

Old William sat in the centre of the front row, his violoncello between his knees and two singers on each hand. Behind him, on the left, came the treble singers and Dick; and on the right the tranter and the tenors. Farther back was old Mail with the altos and supernumeraries."

(Under the Greenwood Tree - I, 6)

Wagtail and Baby

A baby watched a ford, whereto
A wagtail came for drinking;
A blaring bull went wading through,
The wagtail showed no shrinking.

A stallion splashed his way across,
The birdie nearly sinking;
He gave his plumes a twitch and toss,
And held his own unblinking.

Next saw the baby round the spot
A mongrel slowly slinking;
The wagtail gazed, but faltered not
In dip and sip and prinking.

A perfect gentleman then neared;
The wagtail, in a winking,
With terror rose and disappeared;
The baby fell a-thinking.

The Sun on the Bookcase (Student's Love song)

Once more the cauldron of the sun
Smears the bookcase with winy red,
And here my page is, and there my bed,
And the apple-tree shadows travel along.
Soon their intangible track will be run,
And dusk grow strong
And they be fled.

Yes: now the boiling ball is gone,
And I have wasted another day ...
But wasted -- WASTED, do I say?
Is it a waste to have imaged one
Beyond the hills there, who, anon,
My great deeds done
Will be mine alway?

Something Tapped

Something tapped on the pane of my room
When there was never a trace
Of wind or rain, and I saw in the gloom
My weary Beloved's face.

"O I am tired of waiting," she said,
"Night, morn, noon, afternoon;
So cold it is in my lonely bed,
And I thought you would join me soon!"

I rose and neared the window-glass,
But vanished thence had she:
Only a pallid moth, alas,
Tapped at the pane for me.

August 1913.

Penance

"Why do you sit, O pale thin man,
At the end of the room
By that harpsichord, built on the quaint old plan?
--It is cold as a tomb,
And there's not a spark within the grate;
And the jingling wires
Are as vain desires
That have lagged too late."

"Why do I? Alas, far times ago
A woman lyred here
In the evenfall; one who fain did so
From year to year;
And, in loneliness bending wistfully,
Would wake each note
In sick sad rote,
None to listen or see!

"I would not join. I would not stay,
But drew away,
Though the winter fire beamed brightly . . . Aye!
I do to-day
What I would not then; and the chill old keys,
Like a skull's brown teeth
Loose in their sheath,
Freeze my touch; yes, freeze."

from 'Her Immortality'

Upon a noon I pilgrimed through
A pasture, mile by mile,
Unto the place where I last saw
My dead Love's living smile.

And sorrowing I lay me down
Upon the heated sod:
It seemed as if my body pressed
The very ground she trod.

I lay, and thought; and in a trance
She came and stood me by--
The same, even to the marvellous ray
That used to light her eye.

"You draw me, and I come to you,
My faithful one," she said,
In voice that had the moving tone
It bore ere breath had fled.